I took four long lenses out to the reservoir this afternoon. I managed not to drop any of them into the water. The results were unsurprising in two ways. Yes, quality increased with price. But the quality range was closer than I expected given a price range of over 4.5 stops. I will spare you what are essentially brick wall pictures where the wall is 2,000 feet away. Wait! No, I won't! Oh, and because I'm an idiot, the sun was hitting the front elements of three of the four lenses. Didn't make much difference! You'll see a lot of heat distortion over some buildings. Very little is OOF in these shots once past the trees. All taken with a Leica S3, a 45mm x 30mm 64MP sensor.
Oh, here they are. It's pretty obvious who's who...
Anyway, from short to long:
Zeiss 250/5.6 Superachromat - not optically inferior to the 350, but it isn't as smooth operationally. OTOH, it's much smaller and lighter. OTOOH, 250mm isn't very long. I'll show Uncropped, the Brick Wall, and some Foliage. The last will differ a lot from lens to lens. I just wanted a well lit patch. The focus is on the buildings, so each of the Foliage crops may be a bit OOF. Sorry.
Brick Wall
Foliage
Pentax 67 300/4 ED-IF. At 1/10 the price of the Zeiss 350, this is a screaming bargain - especially if you're going to be using both lenses in full manual mode. Not as smooth to focus, but great optics, at least the parts covering my teensy 45mm x 30mm sensor. No visible CA in today's shots.
Zeiss 350/5.6 Superachromat - I think of this lens as the Hale telescope (the 200" on Mt. Palomar) - the best that older technology could manage. But I agree with
@stngoldberg. If you want reach, speed, and AF tracking, use a modern FF. This is for people who .. well, like the lens and want a big image circle. And wait until you see how it does with even a 2x teleconverter.
And last and humongous, the Pentax 67 400/4 SMC Takumar. Any lens that is cheaper than its focal length is suspect, but this monster held up quite well. EXCEPT for the CA/Blooming/Psychedelic colors at every light/dark boundary. The surprisingly good news is that this cleaned up very nicely by engaging the color fringe sliders. Of course, that can have global image effects.
Hey! What's wrong with those? Well, here's a with and without defringing filters...
What I did NOT do - take teleconverters. That will require separate trips. Those old lenses have a LOT of glass in them. I suspect the IQ gaps will widen here. We'll see in the next installment.
Matt