Technical Camera Images

[glaiben]

It's been done before, but thought I'd try it at 10am with the light raking across the front.

Prada Marfa | a land art installation
WRS-1600 | CFV-100C | Rodenstock 90HR | ƒ/11 | Rear fall | Circ Pola​

 

[Geoff]

things in the city - about 2 miles from home.... 60mm.

 

[Geoff]

and another. This one w 120mm.

 

[John Leathwick]

This one's a test shot with a new lens for me - a relatively late model Schneider Apo Symmar MC 150mm F/5.6 on my F-Universalis/Fuji GFX 100S. It was shot at F/11 with +/- 12.5mm of front shift, flat stitched in LR, and exported to PS for sharpening and adjustment of tonal range. I find this a great location for testing lenses, with lots of fine detail such as rigging, and the sea air reduces down the amount of heat shimmer, which affects shooting at our house which is more inland. And this lens certainly delivers the goods for me - no evidence of flare, and excellent colour balance and sharpness, and quite light now that I've transferred it into an SK B-0 aperture only shutter.

-John

 

[rdeloe]

This one's a test shot with a new lens for me - a relatively late model Schneider Apo Symmar MC 150mm F/5.6 on my F-Universalis/Fuji GFX 100S. It was shot at F/11 with +/- 12.5mm of front shift, flat stitched in LR, and exported to PS for sharpening and adjustment of tonal range. I find this a great location for testing lenses, with lots of fine detail such as rigging, and the sea air reduces down the amount of heat shimmer, which affects shooting at our house which is more inland. And this lens certainly delivers the goods for me - no evidence of flare, and excellent colour balance and sharpness, and quite light now that I've transferred it into an SK B-0 aperture only shutter.

-John

View attachment 217586

Looks amazing John!

This was my first large format lens back in the day. When I sold it a decade ago, I never imagined that it could have a productive new life on a digital sensor.

 

[John Leathwick]

Looks amazing John!

This was my first large format lens back in the day. When I sold it a decade ago, I never imagined that it could have a productive new life on a digital sensor.

Nearly 50 years ago, I had a Symmar 150 convertible that I used on a Linhoff Super Technika - a great lens, although I neve tried the long option. THis lens has the same labelling on it, but it looks a far cry from my first one.

-John

 

[Will Deleon]

Some fun work shot on the new Arca Swiss Pico tech camera.
Phase IQ4 150 - Rondenstock 120mm - Broncolor Scoro power packs.

 

[John Leathwick]

A closer-in garden image with my new SK Apo-Symmar 150mm on F-Universalis/GFX 100s with front tilt and swing - 15 images stacked in Zerene Stacker, finished in PS.

-John

 

[Whisp3r]

The 'Upoffiz' building complex in Ghent, Belgium, a creation by Bontinck Architecture. Shot on a sunny sunday, for fun of course
Camera: Arca-Swiss RM3di. Digital back: Phase One IQ4 150. Lens: Sinaron Digital 5.6/90. Movements: -5mm on the x-axis, and +20mm rise. Facade detail was shot with an SK 60XL.
Settings: ISO 50 - f/11 - 1/15sec. LCC applied.

 

[P. Chong]

Christopher Ward Bel Canto Viola, photographed with Sinar X with GFX adapter. Nikkor SW 90mm/f4 lens. Profoto strobes.

 

[mristuccia]

Berlin, "Institutes für Wasser- und Schifffahrtstechnik" (Institute of Water and Naval Experimental Engineering), also known as the "Pink Pipe".


Cambo Wide DS Digital | CFV-100c | Planar 100 3.5/100 CF | 10mm lens rise

Edit: white balance changed to neutral.