Just to clarify my post I was specifically referencing Thomas' quote:
"unless you travel with a kind of David Copperfield studio that isolates you from the environmental conditions I think multishot is for studio work with extremely sturdy tripods only"
I feel this comment is completely inaccurate (no disrespect to Thomas intended), you do not need to have a traveling studio and again I have shot multi-shot on location for years on wooden floors with a not especially sturdy tripod, but yes careful technique and a single just just in case. It is a neat convergence that things that move in images (people, trees, clouds, sauces, etc..) tend to be organic things that benefit much less from multi-shot meaning that when you paint in the single shot it is un-detectable.
Nick-T
"unless you travel with a kind of David Copperfield studio that isolates you from the environmental conditions I think multishot is for studio work with extremely sturdy tripods only"
I feel this comment is completely inaccurate (no disrespect to Thomas intended), you do not need to have a traveling studio and again I have shot multi-shot on location for years on wooden floors with a not especially sturdy tripod, but yes careful technique and a single just just in case. It is a neat convergence that things that move in images (people, trees, clouds, sauces, etc..) tend to be organic things that benefit much less from multi-shot meaning that when you paint in the single shot it is un-detectable.
Nick-T