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If you could elaborate a bit about what you have issues with - and I take it you've acutually used the camera? - it would make for a more useful post.Like it says - no love for Linhof Techno
I have had one demonstrated to me... that was more than enough.If you could elaborate a bit about what you have issues with - and I take it you've acutually used the camera? - it would make for a more useful post.
I've been using the Techno for a few months now, and would be more than happy to answer any questions you have about it.
You're dead right - how I make a living with this piece of junk is beyond me.Will you ever appreciate, and graduate to, a better camera?
As a person considering to enter MF digital with this camera for landscapes and architecture may I ask what would be more versatile camera out there considering weight and movements?I have had one demonstrated to me... that was more than enough.
It is a very simple camera with no rear movements, except for a little rise and fall.
Limited extension for macro.
It is not a versatile system camera.
...now, if someone made a cheap and cheerful lightweight camera that was lensboard compatible with a professional camera, that might appeal.
...does it epitomize modern professional photography? (I have seen Sean Conboys using one)
Will you ever appreciate, and graduate to, a better camera?
Hi, Alex...As a person considering to enter MF digital with this camera for landscapes and architecture may I ask what would be more versatile camera out there considering weight and movements?
Sean Conboys manages it... it depends on your market, marketing, style etc.Crikey, if you think the Techno is limited I'd love to hear your opinion on the Arca RM3D/i, Cambo WRS/WDS or any of the current Alpa's.
You're dead right - how I make a living with this piece of junk is beyond me.
I hear Joe Cornish manages to scrape by as well.Sean Conboys manages it... it depends on your market, marketing, style etc.