I think it is a perspective issue for you. If you look at the shadow you will see it is in the on position. Look again at the painting of the valve and then the shadow. I think you will agree it is in the on position.
Greg
The GetDPI Photography Forum
Great to see you here. Join our insightful photographic forum today and start tapping into a huge wealth of photographic knowledge. Completing our simple registration process will allow you to gain access to exclusive content, add your own topics and posts, share your work and connect with other members through your own private inbox! And don’t forget to say hi!
Technical Camera Images
- Thread starter danlindberg
- Start date
Greg
danlindberg
Well-known member
I clearly saw the handle at 90 degrees from the hoose before - now I see it along the hoose!!!!
If you look long at it, it can change this position. I agree that the shadow actually proofs that it is 'on', so I can relax and not look up the artist
But I bet you too can see it at closed position if you look long enough....
If you look long at it, it can change this position. I agree that the shadow actually proofs that it is 'on', so I can relax and not look up the artist
But I bet you too can see it at closed position if you look long enough....
Mittens Shadow. This was the entire reason for this trip and I had a one day window. Perfect conditions so I'm very pleased to have gotten this as I missed it last year. The sun was completely gone within 4 minutes of this shot. Actus, Phase 3100, 100mm Digitar. Cropped to 16X9.
Victor
Victor
Attachments
mountainjoe
Member
Really great shot :clap:
stngoldberg
Well-known member
Hi JohnBrew,
Did you apply an LCC on this image?
It occurs to me that the cast on the white church should be less green
BTW, nice image
Stanley
Did you apply an LCC on this image?
It occurs to me that the cast on the white church should be less green
BTW, nice image
Stanley
You can always make one now and apply it to this pic. If you still remember the aperture and helicoidal values that would be perfect.
JohnBrew
Active member
Thanks, Frederic. The camera is still set up as shot due to a dead battery! I've never made an LCC but understand the principle behind it so I'll give it a go.
Hey thanks!
and yeah lol - must have been 20 other people stood with tripods along the wall
not my usual preferred mode of operation! Image was shot on a Cambo WRS-5000, Rodie 32-HR (T/S 1 degree front tilt, 1 degree swing) IQ260, Little stopper and a 0.9 hard grad mounted at around 45 degrees
rayyen
Member
Stunning, thanks for sharing such great photos!!
Finally finished editing the rest of the images from the trip to Larung Gar two weeks ago, here are some more shots....
Afternoon shot:
Sertar Afternoon 02 - 04-Mar-2017
by BB, on Flickr
Evening shot:
Sertar Sunset 01 - 04-Mar-2017
by BB, on Flickr
And lastly, sort of a test shot on Velvia 50 slide film, first time shooting anything "serious" with the Mamiya 6x9 film back for ALPA. This image is a horizontal stitch of 3 images, shifted left and right at 18mm......which turned out to be just about 10% wider than the 6x9 shot, talk about a waste of film :facesmack:
Looking back, I should have known that the 6x9 back is already stretching the image circle allowed by the ALPA square mount system, which is I believe only 10cm wide (and high) on the inside. Anyway, still very much blown away by the image quality of this film (processed and scanned by a friend on his Hasselblad X5)
Sertar Sunrise 04 Velvia 50 Small - 05-Mar-2017
by BB, on Flickr
