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Tom, first of all I love the look and feel of this (your) image! The combination of the wintery storm captured with a monchrome look and the relatively small size (in the frame) of the singular woman, who appears to be fighting the wind/snow, lends of feeling of desolation. Even though there are trees and other elements that indicates it does not appear to in the middle of nowheres, but simply seems like it is due to the look of desolation, lends a form of tension between these two elements.Here's a shot from today for which I had great expectations when I took the shot. Not sure why it doesn't quite measure up. Any thoughts would be appreciated. It's in color, no B&W conversion. Winter in northern latitudes becomes amazingly monochrome.
Tom
645D, 150mm f2.8, 2 frame stitch
Untitled_Panorama1 by tsjanik47, on Flickr
This is classic Woody Campbell style !!! :thumbs::thumbs:One more.
That is exactly where I was standing shooting and listening for traffic in the middle of Third Avenue. Makes my case on tripods.Woody,
I appreciate the NYC cityscapes. I got curious how you were able to handle the DOF in one of your photos so I examined the EFIX data. The cool think about the new Leica S is the built in GPS module and that info gets captured in the EFIX. I was able to take the coordinates from the EFIX in your photo and enter them into Google maps. The street view from Google maps is shown below.
This is pretty cool and at the same time pretty scary.
View attachment 68316
I agree with above... but with so many MP these days, I find in mood shots like this that I want the figure image VERY small in comparison to the environment (I tend to print large, min 8x10 dye sub, usually 24" high and 36-48 wide)Crop off about 3/4 of the space between the last tree and bottom of the frame. To my eye, the composition is a little bland with the horizon and subject so close to the center of the frame. It blocks your eye from exploring instead of drawing you in.
So many ways to look at this image and all the suggestions are interesting. Of course some cannot be implemented, now that the moment is gone, but it would be interesting to see some of the suggested crops. Something tells more than one will have impact.I agree with above... but with so many MP these days, I find in mood shots like this that I want the figure image VERY small in comparison to the environment (I tend to print large, min 8x10 dye sub, usually 24" high and 36-48 wide)
You can't change this one (unless you want to try cloning the trees, but I would have shot it even wider with the figure 1/4 up and 1/4 in from side. I would have shot it from closer to the ground.
I am sure you will get meany suggestions, but after 60+ years of looking at photos (and shooting a FEW of my own that I like) I found if you go for drama, REALLY go for it. That means two things either VERY close (then CLOSER, as the photog books will tell you) or very far. Make the observer want to know more, and being far away increases the mystery... not to say takes all pressure out of getting it in focus LOL
Really good shot though. I see why you took it, and it certainly grabbed my interest.
Try the crop suggestion, but take some from the side as well...like you are just about to lose the figure....
regards
Victor
Not entirely Dave , I can go somewhat wider as Victor suggests by adding one more frame to the stitch:......... Of course some cannot be implemented, now that the moment is gone,.................
Dave (D&A)
Well there you go! That's the advantage of modern technology Actually it would be interesting to see what the stitched version looks like.Not entirely Dave , I can go somewhat wider as Victor suggests by adding one more frame to the stitch:
This changes the mood substantially. Having the person walking into the frame is definitely a different feel than headed out.Not entirely Dave , I can go somewhat wider as Victor suggests by adding one more frame to the stitch:
Untitled_Panorama1 by tsjanik47, on Flickr
Stunning image Pramote! I love the simple composition and the layers of color against the sky.
Great Sand Dunes National Park, Alamosa, CO
Phase One DF; Phase One IQ 180; Schneider LS 150mm
Agreed! Tom, I much prefer this version over the one originally posted. It gives the feeling that she has a long way to go to brave (fight) the wind/storm, which in turn strengthens the predominant focus of the image, which is the doom and gloom of the storm itself.This changes the mood substantially. Having the person walking into the frame is definitely a different feel than headed out.
I love the evocative mood this images projects which for me is enhanced by the ground level perspective and close up point of focus. The background then becomes a bit mysterious, especially with the mist ofver the water. Other elements like the early/late day light on the right side in the background as well as refelcting off the water (foreground) adds to the overall effectiveness. of the image. Nicely done Don!Just found this in peeking at images taken at Lake McDonald, Glacier Nat'l Park this past fall. Phase One DF/Mamiya 120, IQ160 f/4 1/125 ISO 50.
Don
Yes, modern technology! Hadn't anticipated you might have other frames (though often I take more pano frames than I use at one time.Not entirely Dave , I can go somewhat wider as Victor suggests by adding one more frame to the stitch:
Untitled_Panorama1 by tsjanik47, on Flickr