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Fun with MF images - ARCHIVED - FOR VIEWING ONLY

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Shashin

Well-known member


Back in the good old days of film, unless you wanted to do some complex work with masking, you were stuck with the contrast in a color image. Today, we can change that. But a host of problems comes from that. Shooting in really flat light makes increasing contrast really important. The problem is that contrast and saturation are not mutually exclusive. Touch a curve and you change saturation. It can be really tough to control color.
 

etrump

Well-known member
I enjoy the challenge of photographing icons that are shot to death. Not great light but that seems par for the course for me lately.

IQ180, Cambo AE, HR40, 5 shots:

 
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