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Ed,
I just gotta hear the story behind those chicken/rooster images...
Well... everybody loves a story! How about both?Gladly, Dave. Do you mean the story behind the exhibits themselves or the story of the taking of the pictures?
Thank you very much, Ed!Beautiful, Matt!
Well... everybody loves a story! How about both?
Yes, sir, those are great stories. You always have such unique images and now adding the dialogue, it opens my mind to the reality and how you shot them. All of that adds a new dimension to the images and I appreciate your work both in pictures and writing!Okey dokes :thumbup:
First the exhibit itself. These pictures were taken during Sydney's celebration of Chinese (Lunar) New Year. With close links to Asia (and an increasing population of people with Asian heritage), the city each year organises various events to celebrate, including lanterns like this in key city locations. They represent the 12 Chinese Zodiacal signs, with a high profile location given to whichever one depicts the animal representing the year ahead.
In 2017, the year of the rooster began (being English, the word rooster doesn't quite sit with me, but then I couldn't really say "year of the cock", so let's go with rooster). At the time, the rooster lantern was placed next to the Opera House, given pride of place. This year, the same lantern has been positioned next to Circular Quay (still high-profile, but not centre-stage). 2018 sees the beginning of the year of the dog, so a canine lantern is next to the Opera House.
So there you have it - that's why the roosters are there!
(I do have pictures of the dog too, but they were taken as part of a commission for the City of Sydney, so I'm not able to post the pictures here just now...)
As for the story of the picture-taking, this happened on a rainy night (which kept crowds down and provided glistening surfaces). I wanted to produce some dynamic shots, so did a couple of them (one of a rooster's face and one of the pigs) zooming during exposure. The one of the rabbits was shot by panning the camera during exposure (because that seemed to suit the pose of the animals). In each case, the shot was blended with a static frame for sharp details in key areas.
With the zoom shots, the blurred frame was accentuated with a little radial blur in post, but most of the effect was achieved in-camera. I find the end-result is much more pleasing that doing the whole thing in post.
Hope that satisfies the story-telling instinct .
Of course :ROTFL:You do know all this is good fun and its all about the lovely imagery regardless of where one is from or the circumstances.
Dave (D&A)