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Fun with MF images - ARCHIVED - FOR VIEWING ONLY

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MGrayson

MGrayson

Subscriber and Workshop Member
Took out the 17 Laowa and the 23 Fuji (my telephoto :ROTFL:) on the GFX100. First the 23:



Time is running short!



The 17mm is a rectilinear lens, so this curved path really *is* curved.. And the horizon is level - it just happens to be a hill. I'm still surprised by the resolution of this stupid system. There's a cyclist in the distance, and you can see his spokes.



Best,

Matt
 
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vieri

vieri

Well-known member
Mesa Arch, a classic that never gets old

It appears that is now "fashionable" to tag any landscape photograph on Instagram as "Mesa Arch", with the intent of keeping the real location undisclosed - seeing that yesterday, while exploring Northumberland for a future Workshop, made me think about the "real" Mesa Arch, and I went to look in my archives for an image of the Arch to share.

Mesa Arch is such a unique location, and being there at sunrise to witness the arch glow with the first sun's light is a truly unforgettable experience! An old photo taken in 2016 with my then Pentax 645z, Pentax 28-45mm and Formatt-Hitech Firecrest filters.



Thank you for viewing, best regards

Vieri
 
MGrayson

MGrayson

Subscriber and Workshop Member
Shashin said:
I would imagine the 17mm would be great with one of the Fuji panoramic crop formats...
Click to expand...
It really is. Very low distortion!

Here's something odd, though. The image I see in C1 is lighter than the exported image. If I then import the export back into C1, it is still darker. Here's what I see on the screen while editing:



That's what I thought I was getting. Look at the bright reflections off the fence wires. They're absent in the export, as seen in the post above. All Adobe RGB. Other measurements, like brightness of the pavement, are quite different. Anyone have experience here?

Matt
 
C

Craig Stocks

Well-known member
Another one from Death Valley. IQ4150 with a Canon 24mm TS-E lens on a Cambo body. The Canon 24 isn't the greatest lens but it's comparable (or slightly better) than my Phase One 28mm and offers a wider angle of view and movements. Here I used tilt to maintain focus from foreground to background.
 

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jng

Well-known member
Deconstructed tulip

2020-03-08 11-23-49 (C)-FrameShop.jpg

WRS1250 | IQ3100 | Zeiss 120/5.6 S-Planar | f/11 | 13-image focus stack

John
 
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