I'd really love to try some systems........but the mere mention of Africa usually sends them running a 100 miles an hour the other way. I don't expect anyone is sending gear into Africa on a proof of concept trial.
Guy, i was the bloke trying to buy the 19mm Leica off you - remember? It was late at night here when i saw your add, i replied via email - you replied almost immediately via email then i replied etc - it was so late here that i had to go to bed and when i got up in the morning to pull the trigger i got your email saying it was sold. Not that it matters at all.
The thing that got me into this mess is the Sony A7r - some innocent Sunday morning reading about the Sony turned into this ;-) your review did little to help me out here
Then i decided to hell with it, i am going to go all out here and not going to mess with the little stuff - the Sony A7 provided the spark to set of the latent fire within and now i want to get back into MF , and well the rest is history.
So yup - i'm up for this. The whole Rollei thing is because in Sydney where i am originally from, Rollei was a big name a. I used a 6008 at a studio i contracted too. I just love the Rollei lenses. I guess you cant really compare lenses from those days to new designs out now, but i used a Hassy 503CX, Mamyia, Bronica, Rollei
What else is out there these days? S2, Hassy and DF+ Out of those i'd take the Rollei. But no argument that it seems to be locked out of all the fun. Shame.
Re the tech cam - i blame YOU MISTER !!! (Guy that is) You are the one who started the "show us your tech cam"
No going back now - committed to a tech cam. Ready to pull the trigger on this now now- the Alpa is such a beautiful work of art - really. The way of working with a tech cam really appeals to me.