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Perhaps the programmer at Irident has an affinity for these cameras ... those at Adobe may see them as bottom of the sludge pond ...I always find it amusing that the apparently tiny company Irident can write better code and give better results than Adobe which must have a massive fleet of programmers and developers. :wtf:
FWIW, a photographer on the FB GFX group very kindly sent me the RAF of an excellent photo of a bridge and cathedral he took at night with his GFX and the 63mm lens. I did conversions in LR, C1 and Iridient, and my favorite is the conversion by Iridient.I always find it frustrating!
Biggest drawback for me on x series cameras was knowing that Id be doing myself a disservice by not using Iridient even though it was awkward for my workflow. I'd understand Adobe not optimising for Fuji if it was a tiny manufacturer but the x series is incredibly popular and x-trans files just never looked that great in Lightroom. I'm surprised Adobe is having issues with the GFX as it isn't x-trans but given their history with Fuji and the fact that GFX sales numbers will be orders of magnitude lower than other X series cameras, I wouldn't be willing just yet to bet £6k on them fixing it!
Btw, I think Iridient is not just small, it is ONE guy.
I'm just glad he's around....the guy is brilliant in my book.Iridient
+1
Iridient needs to stay independent!
Yup! :clap:I'm just glad he's around....the guy is brilliant in my book.
No two raw converters ever render identical to one another on their defaults. Not that I've seen anyway.I went back and took a closer look at the Irident conversions vs. Lightroom for both cameras. Its all here shared here on Google Drive for those interested:
https://goo.gl/Zjavzb
Comparing the Irident GFX conversion to the Lightroom conversion, they are very similar. However, the difference is noticeable in how Lightroom renders the X1D file vs. how Irident renders it. Both claim to use the embedded color xform matrix in the raw file so I'm at a loss why there is such a dramatic difference.
I agree and I'm not claiming that they should be. However look at the difference in conversion between Lightroom and Irident for the GFX vs. the X1D. The X1D files are significantly different, a level of difference that I don't often see even between different converters. Also the GFX files between the two are way more similar.No two raw converters ever render identical to one another on their defaults. Not that I've seen anyway.
G
Makes you really want the big one, right?Just saw this somewhere else (and not sure whether these are scaled correctly)
View attachment 125553
I await the 22mm lens (and the 120mm Macro lens). It's all that's stopping me, other than the money...... The X1D is soooo well built and sooo simple to use and sooo easy to hand hold that I wouldn't begin to consider a medium format alternative. The three initial lenses are stellar performers, very well corrected, and razor sharp corner to corner. My experience so far with the X1D is better than I had expected. There are still some bugs and quirks which I trust will be addressed with firmware updates, but overall the camera is the most fun camera I've used in a long, long time.
I posted this comparison in the "Where is the X1D" thread in January:
I fully agree. The X1D is soooo well built and sooo simple to use and sooo easy to hand hold that I wouldn't begin to consider a medium format alternative. The three initial lenses are stellar performers, very well corrected, and razor sharp corner to corner. My experience so far with the X1D is better than I had expected. There are still some bugs and quirks which I trust will be addressed with firmware updates, but overall the camera is the most fun camera I've used in a long, long time.
Joe