You gotta love digital obsolescence...
https://www.thephoblographer.com/2017/12/04/2018-fujifilm-xh1-gfx-r/
https://www.thephoblographer.com/2017/12/04/2018-fujifilm-xh1-gfx-r/
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You gotta love digital obsolescence...
https://www.thephoblographer.com/2017/12/04/2018-fujifilm-xh1-gfx-r/
They've demonstrated that with the X line for quite some time, with the X-Pro line alongside the X-T line.If true, I don’t think it makes the GFX obsolete. I think that a rangefinder type and SLR-like with EVF can coexist nicely.
I assume this is due to some sort of EOL cycle onbthe sensor. I can see the camera being in the $4-4500 range as cameras like the 645z can be had for $5000 now with a little shopping around.Based on the costs of the sensors, which admittedly must be coming down substantially due to the increased volume of the 44x33 sensor over the last year, I still don't think the GFX-R pricepoint in there is realistic. Perhaps ~$5K, definitely not in the $3K range.
Size probably. If it's a simpler, lighter and smaller design than the 50s, it starts to become interesting. Price isn't too much more than a D850 or a A7r III, but the image quality of the Fuji is clearly superior. Looks like a very interesting option if it's true.Apart from price, what is gained with a rangefinder GFX? Are there not significant issues with the accuracy of focusing with a rangefinder? It can only be more of an issue with a 50 mp sensor.
I would expect it to be something between an X1D and an X-Pro2 (haha. I mean Hass X1D and Fuji X-Pro2)Apart from price, what is gained with a rangefinder GFX? Are there not significant issues with the accuracy of focusing with a rangefinder? It can only be more of an issue with a 50 mp sensor.
As others have said you get a different form factor and perhaps the hybrid OVF/EVF system like the XPro series.Apart from price, what is gained with a rangefinder GFX? Are there not significant issues with the accuracy of focusing with a rangefinder? It can only be more of an issue with a 50 mp sensor.
I have no experience with the Fuji X-Pro series, so I don't know if it is a true rangefinder when it comes to focusing. I have a Mamiya 7 and a "real" Leica CL, and I would sure not want to rely upon the focusing systems in those cameras with a very high resolution sensor. I do think that Fuji could come up with a smaller version of the GFX by sacrificing the modularity. I also had the sense when I owned a GFX that there was a lot of empty real estate inside it. It was a lot lighter than its size would indicate.As others have said you get a different form factor and perhaps the hybrid OVF/EVF system like the XPro series.
It wouldn’t be a true rangefinder as there are no rangefinder elements in these cameras. It would be a rangefinder style camera that has simulated frameline projection (I presume based on the XPro line), an OVF/EVF, and rangefinder form factor. The camera would still be largely used alongside autofocus lenses and EVF, as you know from experiences with them, greatly ease manual focusing/Focus confirmation compared with traditional OVF’s whether on DSLR or Rangefinders.I have no experience with the Fuji X-Pro series, so I don't know if it is a true rangefinder when it comes to focusing. I have a Mamiya 7 and a "real" Leica CL, and I would sure not want to rely upon the focusing systems in those cameras with a very high resolution sensor. I do think that Fuji could come up with a smaller version of the GFX by sacrificing the modularity. I also had the sense when I owned a GFX that there was a lot of empty real estate inside it. It was a lot lighter than its size would indicate.
Current marketing strategies in today's digital world will have many consumers thinking their product is out of date. One of the best cameras i've ever used was the Sony A900 and Nikon D800. Perfectly good cameras by today's standards, but obsolete to most.The GFX-50r is going to be a rangefinder. That does not make the GFX-50s obsolete.
I see. Very interesting option to have an OVF. However, I also never liked framing/composing with wide and long lenses through a viewfinder that uses framelines. I personally need to see the visual effects of a wide or long lens. I have the 43mm lens for the Mamiya 7. Beautiful optical quality, but I found it challenging to frame/compose with it using the auxiliary finder.It wouldn’t be a true rangefinder as there are no rangefinder elements in these cameras. It would be a rangefinder style camera that has simulated frameline projection (I presume based on the XPro line), an OVF/EVF, and rangefinder form factor. The camera would still be largely used alongside autofocus lenses and EVF, as you know from experiences with them, greatly ease manual focusing/Focus confirmation compared with traditional OVF’s whether on DSLR or Rangefinders.
The X-Pro 2 viewfinder is a hybrid OVF/EVF. From what I understand you can use it as an OVF, an EVF, or both. This is what I envision Fuji doing with a GFX rangefinder style camera.I see. Very interesting option to have an OVF. However, I also never liked framing/composing with wide and long lenses through a viewfinder that uses framelines. I personally need to see the visual effects of a wide or long lens. I have the 43mm lens for the Mamiya 7. Beautiful optical quality, but I found it challenging to frame/compose with it using the auxiliary finder.
You have the choice to use the camera in either way. You can pull up frame lines to be projected into the OVF or you can use it as a straight EVF if you prefer.I see. Very interesting option to have an OVF. However, I also never liked framing/composing with wide and long lenses through a viewfinder that uses framelines. I personally need to see the visual effects of a wide or long lens. I have the 43mm lens for the Mamiya 7. Beautiful optical quality, but I found it challenging to frame/compose with it using the auxiliary finder.
I never bothered using the auxiliary VF on my Mamiya 7/43mm. The camera viewfinder corresponds approximately to the 43mm FL.I see. Very interesting option to have an OVF. However, I also never liked framing/composing with wide and long lenses through a viewfinder that uses framelines. I personally need to see the visual effects of a wide or long lens. I have the 43mm lens for the Mamiya 7. Beautiful optical quality, but I found it challenging to frame/compose with it using the auxiliary finder.