dougpeterson
Workshop Member
Thanks. I've posted both (23mm and 24TSE) on this thread, but mislabeled one of them. I've now corrected that but it will still be wrong in some of the quoted text.thats the canon 24mm t/s
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Thanks. I've posted both (23mm and 24TSE) on this thread, but mislabeled one of them. I've now corrected that but it will still be wrong in some of the quoted text.thats the canon 24mm t/s
Only for the moment. Implementation on other tech cameras requires slightly different UI and behind the scenes code. So for this firmware release it was only developed/tested for the XT use case. But you'll see it developed/tested/released for other tech cameras in a future firmware update.Am I to understand that the following features:
Bracketing via ES in Digital Back (Phase One XT only)
Time Lapse via ES in Digital Back (Phase One XT Only)
Are only going to be available on a tech cam if you buy a XT. Instead of just simply being available for all tech cam users?
If so that is pretty effing ridiculous.
Don't you have to add like $40k for an IQ4 since it won't work with any other back. The Alpa on the other hand...When pricing out Alpa make sure you remember the various components you'll need that the XT includes natively. For example Alpa charges $1290 for an adapter plate which the XT has built-in.
An STC isn't really a fair comparison, but I think it's the closest comparison to make.
- STC Body
- Adapter Plate
- Sync Adapter
- HPF
- Dovetail
- Hand Grip
- 32HR in eShutter
- Silex (II) Controller
OR
- STC Body
- Adapter Plate
- Sync Adapter
- HPF
- Dovetail
- Hand Grip
- 32HR in Aperture Only
I think you'll find the XT is less expensive than either of these options, while being lighter and providing a significantly easier and more integrated workflow.
With an IQ3 (or earlier) an XT body works the same as the Alpa; a dumb plate of metal.Don't you have to add like $40k for an IQ4 since it won't work with any other back. The Alpa on the other hand...
I mentioned it aboveSomething that nobody else seems to be touching on is the limitation of this to the IQ4 series - It's pretty disappointing to me at least. The explanation that the new 12 pin socket is critical for shutter power makes some sense, but seems like a trivial barrier to overcome with either some kind of adapter cable with a battery connection, or to the HDMI port (5V 50ma of power per HDMI spec, no clue if that's enough). You could even get somewhat fancy and have a capacitor slowly charge up from the HDMI power to provide enough instantaneous current.
Sure it's not as elegant, but the most elegant thing would have been to have the lens connect to the body anyway and have the body pull power from the back for the shutter anyway.
Really awesome offering for the few with an IQ4
The IQ3 series had some meaningful feature and UI upgrades compared to the IQ2 and IQ1, and of course featured a far more powerful sensor.I mentioned it above
and what it tells me, is that I cannot trust Phase One to honour my investment in their ecosystem for very long
I know there will be people on here who will say "there is always negativity" following announcements. But as an IQ3 user, what incentive is there for me to invest further in the product knowing that P1 will drop older back from development after a few years?
Look how long Apple support their premium systems (from iphone to macbookpro)
I dont want to turn this into a bashing P1 thread. as I said, locking to IQ4 only is disappointing but it has given me clarity on future purchasing
Is this auto-LCC-suggestion feature documented somewhere?Today: The XT encodes the movement in metadata and C1 suggests the closest matching LCC from your library of presets.
Honestly I doubt it would have taken much extra to turn it on for tech cam use. It seems odd that they could develop this for the XT but not for tech cam which would be exponentially simpler.Only for the moment. Implementation on other tech cameras requires slightly different UI and behind the scenes code. So for this firmware release it was only developed/tested for the XT use case. But you'll see it developed/tested/released for other tech cameras in a future firmware update.
Nope, won't take much extra. But current implementation uses the X-Shutter (making it compatible with bracketing in a flash-fill situation), and when you're looking to close out development so you can launch a product every extra variable is another thing to develop and test.Honestly I doubt it would have taken much extra to turn it on for tech cam use. It seems odd that they could develop this for the XT but not for tech cam which would be exponentially simpler.
I have my doubts it will come to our tech cams especially at the rate at which the firmware's are being released / Still missing functionality.
I think you see it clearly. It sounds like it may not fit your needs and wants, and there's nothing wrong with that.Writing this will win me no friends and in all likelihood lose a few.
First, I'm pleased that someone decided to stop calling this a mirrorless system and instead by it rightful name of "...Modern Field Camera...).
[...]
I see this as a one-trick pony. The XT will be great for landscape photography however I'll still need to carry another system if I wanted to shoot anything else or if/when I need AF.
Well except I shoot 90% if my landscapes with lenses above 70mm. So for now I could use it only for 10% of my imagesI think you see it clearly. It sounds like it may not fit your needs and wants, and there's nothing wrong with that.
The XT is unapologetically focused on landscape/architectural photography with an emphasis on keeping size/weight down without any sacrifice on image quality.
If you need a Swiss Army Knife (e.g. AF for shooting monkeys; video; several fps burst mode etc), this ain't it.
On the other hand, it's the exact right tool if you have the budget and your main or sole focus is landscape and you're looking for something that has the absolute best image quality, but in a package that is smaller, lighter, and easier to use than any other tech camera with similar movements.
I think Arca's implementation of tilt is the smartest in the tech/field camera market. We (DT) look forward to continuing to sell more Arca cameras due to the raised profile to these kinds of cameras that we expect Phase One XT to bring to the market place.Now that I had some time to think about everything here are my thoughts:
It is a sexy camera and I wouldn't mind owing one. I probably would even be much closer on ordering one if I weren't invested in Arca Swiss and the Phase one options and prices would be so extreme. I love that shifts are recorded and I think it makes LCC much nicer. However, I really would have wished for more Shift. At least 15mm. Size couldn't be the reason. The WRS 1200 is 16x16 and offers a LOT more shifting options. If I actually switched systems I already know that I would miss the tilt option. I find it sad it didn't make it into the XT.
I would expect the ES on the next generation sensors to be one stop faster, and the next generation to be one stop faster again. This is only informed speculation but I'd say we are still several years away from a truly global shutter or even of ES that is fast enough for general-purpose flash sync.Now for me the biggest question is, why do I need to buy the super expensive XT shutter. I know it's great for people using flash, however, for me it's just weight and cost. The ES on the IQ4 is already quite good and I'm pretty sure the next generation will have a global shutter or an ES shutter which readout speed is much faster.
Very minor note, but the XT includes the mount for the digital back as an integrated component. For other tech cameras (Arca/Cambo/Alpa) it's a separate component and is, in some cases, more than 1000 USD.Just an over view:[bunch of pricing]
Included with the X-Shutter:So I'm paying 12,5k more for a shutter system which has limited use.
That will come. Rome wasn't built in a day and the XT platform is just getting started. I'd suggest completing the XT Feedback Form to log your desire for that adapter as your highest priority.They could have made the thing easy for me, offer a XT - XF adapter with aperture control for the Schneider lenses. I probably would have ordered the body straight away.
If 90% of your landscape work is above 70mm then the XT is definitely not (yet) for you. The addition of LS BR support could certainly change that, especially if there's any room to shift/rise/fall inside some of those lenses long lens image circles (I do NOT know whether there is, but I wouldn't be surprised if there was at least a couple mm of space).Well except I shoot 90% if my landscapes with lenses above 70mm. So for now I could use it only for 10% of my images
Regarding tilt: I think that's perfectly reasonable. I think (as I said to Christopher above) that Arca has done the best job with tilt. If you need tilt with every lens, they are the only (and excellent) game in town. Hopefully P1 further addresses tilt in the XT ecosystem in the future. If I were them I'd take my inspiration from the Arca R system.Both threads contain similar information and varied comments, but one issue that has been left unaddressed is the lack of Tilt which happens to be one the major reasons that I use a technical camera.
There are so many occasions when focus stacking just will not fill the bill especially outdoors in all but the most calm condition that are exempt from moving water.
Focus stacking will be useful in indoor architectural photography and this area seems to be ideal use for the XT, but the folks that make a living in architectural photography have to determine if the convenience merits the considerable cost.
For me when I carry my Arca Swiss on a strap secured to my shoulder by my quite small backpack overlapping it, I would probably transport the DT the same way
While the advertisement headlined no cables, it only takes less than a minute to attach cables to my IQ3 100.
It is still necessary to measure the distance with my Leica laser on both setups
Even with the new BSI technology, I would most likely use on LCC when shifting...again only a few seconds!
So I struggle with the new concept introduced today from a convenience perspective and without Tilt (which I use on every image) I would have difficulty
investing.
Stanley
That was included in the price alreadyVery minor note, but the XT includes the mount for the digital back as an integrated component. For other tech cameras (Arca/Cambo/Alpa) it's a separate component and is, in some cases, more than 1000 USD.
It all depends on when the next generation comes, as Sony hasn't leaked any new MF sensors my guess is it's 2-3 years away. In that time I'm pretty sure we will see much more than one stop improvement. We will see what Sony can do today with the new A9II.I would expect the ES on the next generation sensors to be one stop faster, and the next generation to be one stop faster again. This is only informed speculation but I'd say we are still several years away from a truly global shutter or even of ES that is fast enough for general-purpose flash sync.