Here is one to get us started
Shirleen under the weeping willow
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Here is one to get us started
Shirleen under the weeping willow
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Alpa 12 Plus • TC | Schneider 90N | Schneider 120N | Hasselblad X1D | XCD 21 | XCD 45 | XCD 90 | www.danlindberg.com11 Member(s) liked this post
I love the way the Hasselblad renders Asian skin
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Leica S007 does a pretty good job too.
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One of my favorites.
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Azura with H6D100c HC150
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Asiana H6D100c HC150n
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Another favorite
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An oldie, but handheld Alpa TC with Credo 60 and Schneider 120N. Not the usual portrait cam...
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Alpa 12 Plus • TC | Schneider 90N | Schneider 120N | Hasselblad X1D | XCD 21 | XCD 45 | XCD 90 | www.danlindberg.com13 Member(s) liked this post
The trouble with this thread is that I'm not sure if I'm "liking" the skill of the photographers or the beauty of the subjects....
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My thing is more candid style - is that ok for this thread? Hassy + 80mm + TRX.
and for a different kind of 'portrait' this one went down pretty well too...sTreEt STyLe -Oh i just realised- she isn't even in focus...my bad!
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^^^
I think there both great
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I don't mean this in a negative way at all. There certainly isn't a problem - just a philosophical observation. As Charles S says above, the same could be said of landscapes. A stunning view or a stunning women (I think all the portraits here have been of women) might be photographed in a pedestrian way and still get lots of "likes" because of the beauty of the subject.
Much harder is to produce a stunning image of a relatively ordinary subject (or a plain woman). For example, some of Alan S's work is not of dramatic scenery but he makes beautiful images of it. On the other hand, if you're in the American West there's lots of dramatic scenery and it's easier (in my view) to produce dramatic images. Which isn't to take anything away from those of us who craft great images of mountains and deserts!
I think the difference may be that a great photo adds to the subject by bringing out traits that might otherwise not be seen. Just my 2 cents worth!
One thing I am totally sure of is that the images presented here by people whom I consider friends though we've never met, are superb and inspiring. I learn a little every time I visit this site.
Last edited by Bill Caulfeild-Browne; 29th October 2019 at 07:39.
I'm not into photographing guys but her is one I took a while back with mt S007 120mm
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Greg,
The portrait of your daughter is simply stunning! I'm even more impressed that you got her to sit for you (my daughters would meet any such requests with eye rolls and hasty exits).
John
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Here's a different sort of portrait. The subject is a friend and fellow photographer who wanted to do a photo representing her struggles with bouts of anxiety. She described the feeling of being trapped and unable to breath and wanted to use plastic wrap to illustrate her experience.
Over the last few years I've been honored to have captured a few images where the subject felt an intense connection with the image since it reflected a specific aspect of their life ranging from living life in a wheelchair to being a survivor of domestic abuse.
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A couple more The first one is Yukki shot with S007 S70mm and the second is Asaina shot with H6D100c plus HC100
Neil
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Since the OP is Leica shooter here's one from an M10-hope that's all right NDW?![]()
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Out take from a recent corporate shoot in Girard Perregaux HQ in La Chaux de Fonds, Switzerland. Subject is Patrick Pruniaux, Chief Executive Officer of Ulysse Nardin and Girard-Perregaux. Phase One XF IQ4 150 with Schneider Kreuznach Macro LS 120mm f/4.0. Light is with one Broncolor Siros L plus a small rim light (Canon speedlight) behind him. Shutter speed selected to match the outside light - it was a rainy November morning in the Jura. f/5.6, 1/125s at ISO200.
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Hasselblad X1D with 65mm lens
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Thank you for the Likes.
Hasselblad X1D with XCD 65mm Blue background.
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Senior portrait of my youngest son a couple years ago.
Phase XF, IQ3100, Schneider 150mm LS BR, Profoto
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I very rarely get chance to shoot a proper lit studio portrait these days but I really should try, love this shot of my neighbour from a while back, it was just a bit of fun so didn't bother doing too much with the crappy background but I still really like it, it marked the point where I really started to enjoy the GFX.
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Oh well some nostalgia from years ago...- My father-in-law made with a Hasselblad 203FE +110FE and CFV11 down at the farm.
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