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Holy Moly!!!! Nice!!!!:shocked::shocked::shocked::shocked::shocked::clap::clap::clap::clap::clap:Yet another try, from fresh, no crop, not picking up whitebalance, in output "embed camera profile" as ICC profile, no saturation, brightnes down because of overexposed, highligt damping up, some sharpening in output for screen etc., some punch in clarity (11 and 7) so here we give it a try...(the girls hair was almost white)(and yet its more neutral)(by the way, so far....a wonderfull lens)
Nikon Df with Nikkor 28/1.4D at iso 450 1/640 f1.4 through C1pro10win
thorkil
Thank you very much....(blushing)..:salute::salute::angel:..(I think you now force me out in the streets of Copenhagen, with the 28/1.4 under my arm!, to investigate further...soon..very soon it must be..:thumbupHoly Moly!!!! Nice!!!!:shocked::shocked::shocked::shocked::shocked::clap::clap::clap::clap::clap:
No, of course not.Should I start looking for a Df, I wonder...
Wonderful picture !!
Great Sand Dunes National Park, CO
Nikon D810/Nikon 14-24mm
Pramote
Zenfolio | Pramote Laoprasert Photography
Yes(!) I specially think that you would feel like coming home too.Should I start looking for a Df, I wonder...
That I must investigate in, and see if I can find out how to do.A comment on Df default settings, and then C1 *import* recipes for the Df (it works well with the cooler AWB 1)
I set my Df to AWB 1 for more accurate color -- I'll tweak tone as required if there is special warm light I want preserved. The main reason is AWB deals with *mixed* light far better IMHO -- respect YMMV...
So now I set a dedicated import recipe for the Df at ISO 100-400 with the standard Df profile, minimal NR, a +4 to saturation, and a +8 to clarity -- which is micro-contrast as opposed to any macro contrast, and nothing else. All images get imported with these as defaults, and I then edit from there. I add NR as required for higher ISO images.
Thank you very much Thorkil! I really appreciate it. PramoteWonderful picture !!
thorkil
Create the basic recipe inside C1 on a Df file. Now save it with a name like "Df ISO 100-400" or some such. Now in your import dialog box which you pull up when you insert the card, there is a box to select an import recipe -- choose the one you just made, click import, the recipe gets applied to every file automatically. Now when you view them in C1, the sliders will show all the settings from that recipe already applied, so it's easy to back them off or add to them as required.That I must investigate in, and see if I can find out how to do.
Thank you Jack for advice, I will give it a try, but sometimes my brain is very resistant to new things. For example, I'm ashamed to admit: I never learned Lightroom, while after the first ½-1 hour I still could not find out importing a picture :facesmack:, and I have never looked back ever since. C1 was easy and straightforward to me, so C1 it was, and will be forever. The only annoying thing for me, is finding previously imported pictures while it seems that you either just have the import for the last few days available, or you have to see them all. But I guess there will be an instruction video I in a simple way could learn from.Create the basic recipe inside C1 on a Df file. Now save it with a name like "Df ISO 100-400" or some such. Now in your import dialog box which you pull up when you insert the card, there is a box to select an import recipe -- choose the one you just made, click import, the recipe gets applied to every file automatically. Now when you view them in C1, the sliders will show all the settings from that recipe already applied, so it's easy to back them off or add to them as required.
I think the 28/1.4 is very close color and sharpness-wise to the 180 and 105 DC -- they are a very similar-drawing tiro. The 18 is definitely sharper to the corners than the 17-35, but the 17-35 may be sharper centrally. Regardless, the 35-70 was such a versatile lens, I absolutely regret selling mine. The 18 does not have the absolute character of the 180/DC/28 ASPH genre, nor is it as sharp overall -- marginally good at f2.8, and a lot better by f4 -- but still renders pretty nicely and moreover, it is an AF 18PS Jack, have you created you a further opinion on the 18/2.8D?
Out of nowhere I would guess that neither the 28/1.4 nor the 18/2.8 are 100% in the same League as the 180/2.8D, the 135 and 105DC, speaking of exquisite colours (but I needed the 28 anyway and I will need a 18mm too to avoid dragging around the heavy 17-35)
?
best thorkil
Thank you! Then I still might get the 18/2.8D, while it can suit my needs for getting wide and lightweight.I think the 28/1.4 is very close color and sharpness-wise to the 180 and 105 DC -- they are a very similar-drawing tiro. The 18 is definitely sharper to the corners than the 17-35, but the 17-35 may be sharper centrally. Regardless, the 35-70 was such a versatile lens, I absolutely regret selling mine. The 18 does not have the absolute character of the 180/DC/28 ASPH genre, nor is it as sharp overall -- marginally good at f2.8, and a lot better by f4 -- but still renders pretty nicely and moreover, it is an AF 18