If I might interject a few personal comments from shooting with both 85mm G lenses. Bokeh differences can be more or less pronouced between the two depending on the lighting and/or subject matter. So in some situations, at comparable f stops, the degree of differnce varies greatly. The same can be said when comparing sharpness across the frame at say f5.6, where max. sharpness is nearly obtained. Differerences of resolution is noticable between these two lenses especially if examining files at 100%, but whether these differences will be important/noticable or not, is very much subject dependent and how the files will be used with regards to output.
Guy is very much right...generally the faster versions of similar lenses have more character when shot between say f1.4 and f4. A little off topic, but I'm reminded of the Pentax SLR AF lens "FA 85mm f1.4" This lens when shot between f1.4 and f4 was mediocre at best (and often times much worse) when shooting distance objects like landscapes. in these situations, it looked like a $99.00 lens...but oh how that lens sang when shooting portraits and not only its stunning bokeh. It was optimized for close and mid-distant subjects and both resolving power and the way it drew was beyond reproach for these applications. beyond f4 and it was as sharp as one would hope for at all distances. Later it was learned (but never publicized) that the optical designers at Pentax specifically designed the lens to have these properties. In contrast, most all Pentax 85mm f1.8 lenses were simply very sharp general purpose lenses from the get-go (f1.8).
The Nikon G lenses are similar to this analogy in many ways and mirror much fo what Guy expressed.
Dave (D&A)