..collected the Z 50/1.8 S from Photografica in Copenhagen yesterday,
took the same walk as with the 50/1.2 AIS, but unfortunately some 15 minutes later, so the sun had just gone..
but here are some hasty shots anyway..
thorkil
took the same walk as with the 50/1.2 AIS, but unfortunately some 15 minutes later, so the sun had just gone..
but here are some hasty shots anyway..
I tried to remember the same position, but...
the Z50/1.8S is more delicate, soft and creamy in the bokeh (I like it), the AIS a bit more "hysteric", but colours seems stronger in the S
Z7 with 50/1.8S at iso360 1/80 f1.8 through C1pro12win
Some more bokeh. Focuspoint is on the headline down in the extreme right corner, with 493 point selected
Z7 with 50/1.8S at iso110 1/80 f1.8 through C1pro12win
Crop at 100% in the extreme right corner. In my mind one of the best extreme corners wide open I have ever seen. Mind you the very narrow depth of field at f1.8
Z7 with 50/1.8S at iso110 1/80 f1.8 through C1pro12win
He's at the wrong side of the close-up limit and moving a bit
Z7 with 50/1.8S at iso720 1/30 f2 through C1pro12win
..but he's nice
Z7 with 50/1.8S at iso2220 1/30 f2 through C1pro12win
I have to say, this is a very nice lens..!the Z50/1.8S is more delicate, soft and creamy in the bokeh (I like it), the AIS a bit more "hysteric", but colours seems stronger in the S
Z7 with 50/1.8S at iso360 1/80 f1.8 through C1pro12win
Some more bokeh. Focuspoint is on the headline down in the extreme right corner, with 493 point selected
Z7 with 50/1.8S at iso110 1/80 f1.8 through C1pro12win
Crop at 100% in the extreme right corner. In my mind one of the best extreme corners wide open I have ever seen. Mind you the very narrow depth of field at f1.8
Z7 with 50/1.8S at iso110 1/80 f1.8 through C1pro12win
He's at the wrong side of the close-up limit and moving a bit
Z7 with 50/1.8S at iso720 1/30 f2 through C1pro12win
..but he's nice
Z7 with 50/1.8S at iso2220 1/30 f2 through C1pro12win
thorkil