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Casual Portraiture with the GRD

Lili

New member
Street, thank you!!! These are soft, 1/6sec at f2.4, ISO- 800 and I am not sure how many Jack Sours, still I feel they capture the mood of closing time well

Another
 
O

Oxide Blu

Guest
I think you did better than me. Don't know how many times I have created a small-sensor "masterpiece" at some point well into a night of drinking, only to awaken the next day to discover a CF card full of pixel pollution.

And there is the never ending issue with IFF (inverse focus function), that pesky problem where a sober review of art created under the influence revels the reality of what looked sharp as a tack in-focus when, um, creating, now isn't in focus at all. How does that happen? Must be some kind of a phenomena where the eyeball focuses but the camera doesn't; or the camera focuses but the eyeball doesn't... I don't know, it's a mystery that only revels itself in the aftermath of bar photography.

Btw, I like the lights reflecting in the mirror and accenting your friend's forehead in the second pic. It adds a 60's 'mod' era feel to the image. Very nicely done. :thumbup:
 

Lili

New member
Paul, thanks so much :)
Oxide, ahhh here is where the Ricoh UI comes into its own, I used snap focus since the AF would not always locked. Of course if it had a true scale focus like the GRDII or Sigma DP-1 these would have been in better focus.
Assuming that that I could read the scale ;)


Anyway off for a RAW shootout; GRD I versus Fuji S6000, the latter locked at 28mm efl.
We'll see how well the legendary 6mp F30/31 sensor does sans in-camera jpeg processing.
 
H

Hypnohare

Guest
Hi Lili,

I especially liked the first one as it seems to captures a warm mood. I have yet to learn how to take B&W photos with that kind of lighting. I just don't have the touch!

For some reason I can only shoot interior (B&W) shots if the lighting looks (to my eye) like a chiaroschuro image from a John Alton, A.S.C. film.

Excellent work!!

I'm curious, are you using the optical viewfinder??
 

Lili

New member
Hi Lili,

I especially liked the first one as it seems to captures a warm mood. I have yet to learn how to take B&W photos with that kind of lighting. I just don't have the touch!

For some reason I can only shoot interior (B&W) shots if the lighting looks (to my eye) like a chiaroschuro image from a John Alton, A.S.C. film.

Excellent work!!

I'm curious, are you using the optical viewfinder??

Thank you :)
I was using the LCD, only carrying the GRD in its case, no room for more :)
I used the toned "TE" with it set to Blue, with a minimum saturation, contrast med low.
It was using the Matrix (i think) metering, apeture preferred, snap focus, no exp compensation.
Lili
 
H

Hypnohare

Guest
Hi Lili:

Thanks for publishing your settings. That was very kind of you!

Levent
 
N

nei1

Guest
The first is a beautiful image Lilli,proof,if it was needed,that you dont have to spend a small fortune to get to the core of life.
 

Lili

New member
Hi Lili:

Thanks for publishing your settings. That was very kind of you!

Levent
Levent
I do not see settings as proprietary secrets, like the camera they are simpy tools, a means to end.
It is the concept and result that matter :)
 

Lili

New member
The first is a beautiful image Lilli,proof,if it was needed,that you dont have to spend a small fortune to get to the core of life.
Thank you :)
One of my favorite film cameras is a holga
It sits next to my hexar
talk about differing ends of the specturm ;)
 
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