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Sony 24-70 F4 Lens

jaree

Member
What about enabling lens compensation? Should that be disabled in A7/R when using native lenses to allow better control in PP around what to correct/not correct?
 

Godfrey

Well-known member
Re: Bingo! I got a good one

There is certainly variation in the manufacturing process. There are a lot of variables. In my day gig, I run sales/mktg. for a company that designs and manufactures pro-audio gear. Our customers can be pretty tweaky when it comes to performance expectations, which they should be. If we had to ship 3, 6, 12, etc. samples of a product until one was deemed 'right', we'd be looking for a new line of work.

It sometimes feels like the products we use to make pictures are more prone to sample variations than other stuff. Could be that we, as customers, expect too much, or that consistent adherence to a product spec. can't be met in the manufacturing process, or folks in final QC are maybe letting things slide, etc. I, for one, don't really enjoy the multiple versions of 'buy it, test it, send it back and try again'. Just kinda stinky, that's all.
It's all a matter of specifying what the spec is, and what the acceptable variation limits are. Most consumer goods have wide variation tolerances so you have to analyze the performance of a specific lens with your personal tolerance for quality in mind. For those who are more demanding, this is going to result in more exchanges looking for a good example.
 

dave92029

New member
The 24-70mm f4 has been tested, and then tested again, and again. :dh2:

It certainly is a nice lens, but apparently not a great lens like the 55mm FE.

Many of the tests are at 100%, and when comparing the 24-70mm f4 to other lens most are having difficulty "seeing" big differences.

I have asked a few reviewers of the 24-70mm f4 if they can "See" any difference in the images from that lens vs images from the 28-70mm Kit lens at "normal" magnification. Most have agreed that the advantages to the 24-70mm vs the 28-70 are the extra 4mm on the wide side (even though this is where the lens appears to be less than tack sharp); and the build quality.

I cancelled my pre-order for the 24-70mm with an A7, and got a 28-70mm and saved $900 (75%). I plan on using this saving towards the purchase of the 70-200mm f4.

After, these many tests, is anyone else ready to step forward and admit that, just maybe the Kit lens is really good enough, and that the 24-70mm is not worth 4x the price?
 

jaree

Member
There is nothing to admit here. Some of us are willing to pay 5x the price for that extra 3% increase in quality. Is the Leica Summilux-M 50MM worth 5x the times the price of Zeiss ZM 50 Planar?

With that out of the way, I don't know how good or bad the kits lens is as I don't have it. I am sure however, that it is good enough. For most people.

After, these many tests, is anyone else ready to step forward and admit that, just maybe the Kit lens is really good enough, and that the 24-70mm is not worth 4x the price?
 

nostatic

New member
After, these many tests, is anyone else ready to step forward and admit that, just maybe the Kit lens is really good enough, and that the 24-70mm is not worth 4x the price?
I shot both. The 24-70 is better IME. On some shots it compares favorably with the 55/1.8. And it isn't 4x the price - if you buy separately (which you have to do with an A7r) it is $500 vs. $1200. However the kit lens is respectable, and only the individual can decide if the extra $$$ is worth it. To me it is, if nothing else for the better feel (build quality) and it being faster at the long end. Ymmv.
 

jonoslack

Active member
After, these many tests, is anyone else ready to step forward and admit that, just maybe the Kit lens is really good enough, and that the 24-70mm is not worth 4x the price?
Well, I suspect that the experience of the users suggests that there is a continuum, with a bad 28-70 at one end and a good 24-70 at the other.

I only have the 28-70, but I'll probably get the Zeiss if I decide to keep on with the A7. On the other hand, my 28-70 isn't just 'respectable', it's really good, sharp to the corners wide open from 28mm - no special treatment required, it just works . . . . and I'm quite fussy about lenses!

I'm not willing to step forwards and say the 24-70 is worth 4x (?) the price . . . but a good copy of the kit lens is certainly good enough (as a zoom of course, not suggesting it's a competitor for a good prime)
 

Guy Mancuso

Administrator, Instructor
For my needs with this type of lens I have been thinging since I have a great 25,40,55 and 85 that maybe get the kit lens again for the PR stuff. It was a good lens
 

tashley

Subscriber Member
The 24-70mm f4 has been tested, and then tested again, and again. :dh2:

It certainly is a nice lens, but apparently not a great lens like the 55mm FE.

Many of the tests are at 100%, and when comparing the 24-70mm f4 to other lens most are having difficulty "seeing" big differences.

I have asked a few reviewers of the 24-70mm f4 if they can "See" any difference in the images from that lens vs images from the 28-70mm Kit lens at "normal" magnification. Most have agreed that the advantages to the 24-70mm vs the 28-70 are the extra 4mm on the wide side (even though this is where the lens appears to be less than tack sharp); and the build quality.

I cancelled my pre-order for the 24-70mm with an A7, and got a 28-70mm and saved $900 (75%). I plan on using this saving towards the purchase of the 70-200mm f4.

After, these many tests, is anyone else ready to step forward and admit that, just maybe the Kit lens is really good enough, and that the 24-70mm is not worth 4x the price?
I think the truth is that, on an A7R, the kit lens really is not good enough, nowhere near. Whereas the 24-70 just about is.
 

davidbogdan

New member
Mine came in yesterday and I spent a little time with it today. I did a handful of shots at my matching primes focal lengths and, although not perfect, I'm quite satisfied.:D
I also went through many images shot with my A900 and corresponding focal lengths from the CZ 16-35 f/2.8 / CZ 24-70 f/2.8 combination from over the last few years...And I found that, contrary to all the moaning and groaning going on, the FE 4/24-70 looks to be a very worthwhile acquisition .:thumbup:

db
 

m_driscoll

New member
After rigorous testing (by others) and much discussion (by others), I'm probably OK with this lens. Thank you all.









Cheers, Matt
 

W.Utsch

Member
Some other thoughts:
The new A6000 looks not to bad as a second body!?

Would only use it wit FF FE lenses, sold all my APSC's with the NEX 7.
If AF performance is as good as promised, still to be seen, the A6000 with the FE24-70 would be a great combination as a second body.
On APSC the lens will be a extremely good 35-105 with OSS for events people etc....
And i think the price of the 6000 is seductive...
What do you think??
 

W.Utsch

Member
I am already looking for the funds....:)...have to stay with the Canon 70-200/4 for a while (and thats not what i would use on APSC and slow AF).

I am not sure about selling my Olympus (EM5) stuff, very nice lenses but m4/3 ??
 

jfirneno

Member
Some other thoughts:
The new A6000 looks not to bad as a second body!?

Would only use it wit FF FE lenses, sold all my APSC's with the NEX 7.
If AF performance is as good as promised, still to be seen, the A6000 with the FE24-70 would be a great combination as a second body.
On APSC the lens will be a extremely good 35-105 with OSS for events people etc....
And i think the price of the 6000 is seductive...
What do you think??
Werner:
I am also very interested in the A6000 because of the reports of excellent AF (including tracking motion). However, I think some of these sensor-based PDAF cameras from Sony depend on specific algorithms for the lens being used to give excellent AF. I think I'd have to know what lenses are and will be usable for this good autofocus. I'd also love to have a cheaper camera to handle some of the people shooting applications.
Regards,
John
 

tashley

Subscriber Member
Just a little heads up of an interesting thing I found today whilst doing the groundwork for my upcoming review of the 24-70 F4 OSS: I always do a focus shift test with a Spyder target and was curious to see what I might find, because there are some occasional inconsistent and unexpected behaviours. During the course of that test I discovered something i haven't seen before - a slight forward focus shift at 70mm as you stop down. Really. The POF remains in pretty good focus but the centre of the field of focus is certainly shifting forward a bit. So moral: at the longer end, focus stopped down!
 

tashley

Subscriber Member
Focus shift on CDAF? Wow.
Of course not. By definition not. Focus shift refers to the tendency of a lens to shift its filed of focus further (more usually) or nearer as it is stopped down. I assumes that the lens is focussed wide open and then not refocussed as the aperture changes. This is exactly why lenses that exhibit focus shift are are a potential train smash on rangefinders and are not a problem with auto focus systems such as that of the A7R.

However... a lot of people, me included, choose to use MF in magnified live view even with AF lenses, and this is much easier to achieve with accuracy when the lens is wide open and the DOF is helpfully thin, assuming a lens that doesn't have distracting aberrations wide open.

So the take away from this little nugget is, be careful with this lens at 70mm if you are planning to focus manually and to shoot at apertures smaller than F4.
 

Viramati

Member
Briefly tried the lens out today and decided to pass. It seemed well made but was just too big for my way of working and F4 just isn't enough for me. Of the few shots I took I was amazed by the amount of distortion visible in the RAW files when importing into LR5 and find it hard to believe that when a profile is released that there won't be a loss in IQ due to this.
 
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