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New firmware is here

vjbelle

Well-known member
Update is done, but the screen does not come back on, for me to hit the finish button on the screen. Anyone else?
I didn't hit the finish button on the screen.... That was done on my computer. The process was a little clumsy and I had to exit the program once and restart the update but the software knew I had gone through all of the previous steps and started the update.

Victor
 

nostatic

New member
The first one (in the original post) seems to have more definition - transitions from shadow to book and the thin lighter shaft in the upper left.

 

vjbelle

Well-known member
The examples show subtle differences at best. I hope I don't have to use that ISO for anything serious..... at least in its current state.

Victor
 

Viramati

Member
Not that I use jpegs but I believe I now see much better high iso files with a lot less aggressive noise reduction etc
 

tashley

Subscriber Member
More opinions please? And don't forget:

1) we're looking really for noise performance not definition because, thought the shots were both carefully manually focussed on the same spot, sublet focus differences might give the impression of more detail.

2) this files was effectively pushed two stops: in other words it 'should' have been shot at ISO800, in which case it would have looked a whole lot better. This despite the fact that it had +2/3rds stop comp applied. The A7R meters extremely protectively of highlights, which is all well and good but it does mean that one can end up giving the sensor less light than one might with another camera.
 

nostatic

New member
Well, #1 seems to have less or more controlled noise throughout the frame. And I'm sticking with my definition as I see it in other parts of the image :p

For me iso 3200 is a "good lighting" night. I'm routinely into 6400 and 12800 so if they've manage to improve those files without excessive NR I'm happy.
 

tashley

Subscriber Member
Well the bad news folks is that I agree, #1 look overall less noisy and the noise is more even. And it's the old firmware :-(
 

Godfrey

Well-known member
I'm sorry, but to me these cameras see in the dark anyway. Have any of you seen ISO 3200 film lately? ;-)

The quality of noise on a +2/3 EV exposure, pushed another two stops, at ISO 3200 isn't really of much use in evaluating performance to me. I'm more interested in what the best they can do with correct exposure might be.

Firmware download has completed. No time to work on installation just at the moment, but I'm ready.

G
 

tashley

Subscriber Member
I'm sorry, but to me these cameras see in the dark anyway. Have any of you seen ISO 3200 film lately? ;-)

The quality of noise on a +2/3 EV exposure, pushed another two stops, at ISO 3200 isn't really of much use in evaluating performance to me. I'm more interested in what the best they can do with correct exposure might be.

Firmware download has completed. No time to work on installation just at the moment, but I'm ready.

G
I think the problem is, there is no 'correct' exposure. Think about it, this frame is already given + 2/3rds over the 'as metered' (i.e. 'Correct for JPEG') exposure. Full ETTR with the A7r can be three stops, even more, over but to me it seems that the highlights suffer well before they blow.

The crops I show aren't, therefore, boosted two stops in LR to correct them, but to bring out the noise for a comparison...
 

Godfrey

Well-known member
I think the problem is, there is no 'correct' exposure. Think about it, this frame is already given + 2/3rds over the 'as metered' (i.e. 'Correct for JPEG') exposure. Full ETTR with the A7r can be three stops, even more, over but to me it seems that the highlights suffer well before they blow.

The crops I show aren't, therefore, boosted two stops in LR to correct them, but to bring out the noise for a comparison...
Well, we will disagree. To me, correct exposure is the point at which the interesting highlight bits in a photo do not 'suffer' from saturation/compression while as much data at the dark end of the DR is collected. If the subject DR fits wholly within the DR of the sensor, great, otherwise you decide what you lose and where.

Artificially pushing the gain up to reveal a noise characteristic is interesting, yes, but it's the noise characteristic of a severely bent up dynamic range. While it can be curious and even interesting to work in that characteristic from time to time for aesthetic reasons, I don't really consider it indicative of the sensor output in the 'correct' exposure range it was designed for.

Just a difference of opinion...

G
 

tashley

Subscriber Member
Hmmm, like a terrier with trouser leg in his teeth I'll have another go: it certainly isn't 'fair' or indicative of a sensor's performance to push it around like this if you want to see how noisy it is: but I do think that if you want to see whether a sensor has more or less noise with a different firmware version, it is useful. Sort of like making an X-Ray of an oil painting to see if it's a palimpsest! The X-Ray isn't there to show you how beautiful the painting is.
 
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