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Many thanks for the E-M1 100% crop and for all your detailed answers. It is always helpful to see how other people use their cameras and what motivated their decision.Thanks Anna for your feedback and questions. Here are my answers.
This is a 1024x1024 crop from the E-M1 image. I tried to match the colors with the A7R image.
This image is a little brighter than the one from the A7R as I wanted to get a little closer to the glare I see with my own eyes.
With regards to your last question, no I am not worried.
What makes the E-M5 and E-M1 so desirable is their IBIS IMHO.
And that also works with all my Leica M, R, V and Nikkor lenses.
You can put the 6w x 4h grid up on the screen/viewfinder when shooting. If you framed off center you could precisely frame 5x4 but off center then just shift over. Nothing else to do. In the menu it is: "Gearwheel>1>GridLine>square"Not sure if this is the right place to ask (but didn't want to start a new thread) -- is there any way to frame alternative aspect ratios through the EVF on the A7/A7r (thinking specifically about 4x5/8x10, coming from a background of shooting large format and 6x7)? One reason I never upgraded from 5D Mk. II to Mk. III is that one can no longer change the focussing screen and I have a Brightscreen with 4x5 crop marks in my Mk. II that is pretty critical to the way I shoot. Thanks -- really enjoying seeing what everyone is doing with these Sonys!
Yes, that R2890 is pretty good with the A7R.Thanks Bart. Very funny!
A great building and a terrific shot.
I think that Sony A7R - Leica Vario-Elmarit-R combo works well together,
whether handheld or on a tripod with the Novoflex ASTAT-NEX, even on my light Gitzo Traveler.
BTW, did you get around to use your A7R on a bigger longer heavier R lens?
I am curious about your observations.
TIA.
I just ordered the Milich L-plate.
It should arrive well before I will receive my RRS one.
The latter are already out of stock.
Yes, that R2890 is pretty good with the A7R.
A bit nose heavy perhaps, but it does a good job.
Well, using the R70180 and 2xT/C with the A7R proved to be too much of a challenge for my rig.
Up till now every time I went out it was just too windy to get a steady shot.
It's that fine vibration that spoils it and I wonder if the result could have been better when I had used it hand-held.
Worked fine with the E-M5 and E-M1, but then those have IBIS ...
For now I'm waiting for the courier to bring me a more stable solution and then I'll try again the long lens.
Kind regards.
LOL not sure what would be worse - my hands are not that steady you know ...Bart thanks.
If your shutter speed is high enough one also could try steadying the lens on a tripod with a hand during exposure.
That certainly helped in my case. That is one hand firm on camera, the other on top of lens above ball head.
K-H,
..................Not Good, in fact this example looks almost completely useless, because of the hinges:
http://www.sunwayfoto.com.cn/uploadfile/CKEditor/TLS-00.jpg
Much better:
Manfrotto 359 Long Lens Support (MN359-1) - Wex Photographic.................................
...
I'm trying to resist any interest in the Sony; I suppose that I'm reading and responding to this thread is a bad sign .
You and me both!
Dave (D&A)
Hi Dave,You and me both!
Dave (D&A)
I don't have a collection of lenses for the Sony, so not so tempting for me. I hope this sensor appears in a Pentax body soon, then I'll be on the pre-order list.
Tom
Very very übercool setup, Tom.K-H,
..................Not Good, in fact this example looks almost completely useless, because of the hinges:
http://www.sunwayfoto.com.cn/uploadfile/CKEditor/TLS-00.jpg
Much better:
Manfrotto 359 Long Lens Support (MN359-1) - Wex Photographic.................................
I'm trying to resist any interest in the Sony; I suppose that I'm reading and responding to this thread is a bad sign .
I thought I'd mention that I've used the Sunwayfoto very effectively to stabilize a 600mm lens; I did modify it a bit and will add the Manfrotto (mounted on the portrait plate) if I need shutter speeds around 1/15s. Pretty much rock solid, but makes changing camera position much more complex. One more comment: I do keep my hands and body weight pressed against the camera, a technique I was forced to learn with the Pentax 67.
Tom
_IGP1179 by tsjanik47, on Flickr
However, do you reckon that Sunwayfoto long lens support proves to be enough rigid to combat the A7R's shutter slap ?
It seems a bit awkward to me and even far from effective, but like to hear your opinion to ease my doubts.
I'll be using Sunwayfoto's DYH-66I levelling base soon for my tiny-in-comparison R70180 lens.
Thanks for the picture of your rig.
Kind regards.
Bart, the Sunwayfoto appears flimsy because of all the joints/hinges, but each joint has a tightening knob, so when all is tightened, this assembly is quite rigid. As to the A7R, I don't know; the 645D has some shutter issues when using long lenses and the body is not attached directly to the head - hence this contraption I assembled. It's not always 100% effective, but much better than no additional support.Very very übercool setup, Tom.
However, do you reckon that Sunwayfoto long lens support proves to be enough rigid to combat the A7R's shutter slap ?
It seems a bit awkward to me and even far from effective, but like to hear your opinion to ease my doubts.
I'll be using Sunwayfoto's DYH-66I levelling base soon for my tiny-in-comparison R70180 lens.
Thanks for the picture of your rig.
Kind regards.
K-H, Yes I do add the Manfrotto at speeds around 1/60 -1/2s. Although the pictured support is quite rigid it can still pivot around the single point of attachment - the ball head; the Manfrotto prevents that, but makes it more difficult to reposition the camera.Hi Tom,
I agree with Bart. Cool indeed. Many, many thanks for your feedback.
Did you ever feel it necessary to add the Manfrotto 359 Long Lens Support to your setup? TIA.