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Thanks Bro.Thats quite a nice set up. Agree about the reflector on the right. Good luck with the shoot!
Both eye candy, i really love the second one Steve. Great framing and PP.Life & Death...
D700, Zf 100, Zf 35
"ever-patient"... that she is!A friend my wife knows through triathlon asked me to shoot some bridals (I didn't even know she had a daughter that age!). Turns out she wants some, as she puts it, "Cover Girl" looking shots. So last night, my ever-patient wife was good enough to stand in for some lighting tests.
D300, 17-55/2.8 @ f11, 1/250, ISO 200:
Good thoughts both, Corlan. Mimi had very little advance warning; she'd been on the computer, doing a work project (it is ever thus ), and came downstairs to see what I was doing. Other than a little mascara, no makeup at all."ever-patient"... that she is!
Nice test shots LLoyd, if you elect to go this high-key route on a bright bkgd for the final shooting, maybe you might want not to be shy on the amount of make up for the model... and why not try longer focal lengths if the studio setup allows for enough room?
Just a thought...
Lloyd, those look perfect as is. If you add a reflector on her right, I'm afraid it will look flat, but this is all a matter of taste, isn't it?Thanks Steve. Background is a 60" OctoBox, lit with a Photogenic 1250 DR at 22 WS. Mimi is lit from directly in front, with two Potogenic 1250 DRs, each @ 22 WS, the upper one has a 22" Mola beauty dish, and the lower a 40x40cm softbox. Those are arranged in a "clam shell" configuration and set at the same power for 1:1 lighting ratio. I shot from between the two front lights. There is also a white wall to her left. I think I could have used a reflector on her right, as there is a little fall off on that side.
Thanks Jorgen. I'm a big fan of your lighting... So I take that as high praise, and an excellent suggestion.Lloyd, those look perfect as is. If you add a reflector on her right, I'm afraid it will look flat, but this is all a matter of taste, isn't it?
Both are really beautiful, Corlan. I think I slightly favor the color version, but only a little. Amazing... really amazing bokeh. Nice. :thumbup:.
A color version:
D700 - CZ 50M - f2
You're far too kind, Lloyd.Thanks Jorgen. I'm a big fan of your lighting... So I take that as high praise, and an excellent suggestion.
Good ideas, thanks again! :thumbup:You're far too kind, Lloyd.
I notice that there's a slight wrap from the background lighting on her right cheek. Again, it's a matter of taste if you want it there or not, but moving her further from the background and/or balancing the output between the background and foreground lighting differently will change it or make it go away.
I prefer to use two strobes placed symmetrically for a blown background, and I use some home-made cardboard disks to shield them, to avoid wrap. Because of a low, white ceiling, I also shield the top of the background strobes, but since you use a softbox there, you probably don't have that problem.
I'm working on it. It has been a bit busy since I moved in, but the living room isn't being used for anything else. I just need a white backdrop and some arrangement to make part of the ceiling black without painting it. I already use one corner as a tabletop studio. Last half of February is the target.Jorgen, talkin about strobes & al, did you eventually turn this so called living room of yours into its obviously more appropriate photo studio use?
Very nicely composed, and a wonderful b/w conversion. Beauty.Trying to keep up here! Ugh.. the talent here... luv it! Learning lots!
Per Lloyd's earlier comment, here is a neighborhood shot at 1:25 AM, New Year's Day
Thanks for the comment, Lloyd. The original was shot on purpose keeping in mind that for the final "mid grey" look (no black, nor white, equivalent to the classic "Faded" analog processing) to work, it's preferable to have some strong zone contrast, and a good deal of blacks...I really like that processing on the top one, Corlan. The original is nice to, but there is a character to that first one that really stands out to me.