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No flash. There was an open door with afternoon sunVictor, was this with a flash? Looking at the glare in the barrel hoops. And which lens? thanks.
Interesting; I always wonder the difference in zeiss vs fuji look. The transitions and gradings also provide visual clues to the form of an object and better rendition may be why zeiss designs create a 3 dimensional perspective more easily than other lenses (and Leica do as well.)it is not only bokeh. my main objections against fuji lenses is how they render colour gradations and transitions between sharp and out-of-focus areas. another thing is kind of esoteric, it is called plasticity. it is just not there.
Waiting with baited breath for Marc's responseit is not only bokeh. my main objections against fuji lenses is how they render colour gradations and transitions between sharp and out-of-focus areas. another thing is kind of esoteric, it is called plasticity. it is just not there.
precisely. i just uploaded a bunch of zeiss and leica pictures in the gallery.
Marc, I must be either too inexperienced (true enough) or slow to catch on (quite possible), but I find myself unsure of the points you are trying to make. I think there is some tongue in cheek humor in there somewhere. Would you mind making your points more clearly for my benefit? Are you saying you don't like Zeiss glass, or certain Zeiss lenses, or...?LOL. Irakly just left my studio and we had a good laugh about how this would stir the pot.
Okay, I'm game ... words are one thing, pictures are another ... :bugeyes:
Look at the horrible double image Bokeh in the background of the Pepper shot ... and the wormy highlights ... or edge on the end of the tea pot spout ... :thumbdown:
Maybe a little photoshop blur WOULD help ...
Too bad thay don't make an adapter to use the HC 100/2.2 on the C645 so you could get some nice tonal and edge gradations in the Bokeh ... :ROTFL: