Guy: On my M6 the 21 Elmarit was allways on, the 50 and the 90 summicron's didn't touch the camera.
On the D3 most pictures with the 14-24mm were at 14mm. But I also grew a little tired of this ultra-wide. My hasselblads, I used the SWC allmost all the time(around 20-21mm I guess) and some few times the 201F with the 50mm(what a stellar view through the PM51 viewer!), allmost never the 110mm.
So I guess I ought to be a 21mm shooter, but these days a 18mm might be the headline instead, a then later on a 25mm or a 28mm. But being an architect 18mm would be the most used at work. and 25mm perhaps for street etc. (if I'm not going simple and sell all the DSLR's and buy me a M9 or just the PD1M and GRD and...............).
Jack, just a little correction
, its called "turning torso"(and we look at it walking at the coastline here in Copenhagen). If you just had made a hint I could have provided you with adresses on old and interesting café's in the old town of Copenhagen also some wierd ones, where the 18mm would have been doing very well. Next time you'll have to ask
. A lot of wonderfull places in innner Copenhagen, but I only seldom go there, and thats a shame.
That picture is just splendid!, and I couldn't ask for more sharpnes-wise! And clean and well-defined at the edges too!
Does the lens-correction in C1, after analysing, do the distortion-correction?
Best
Thorkil