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This last one is incredible. Perfect combination of composition and compositional elements. Without the bus it would be a good shot. With it, it's great.Modern Mudlarks
Thames Bank, London
A7+FE 55/1.8
A7r. Sounds as I anticipate...For use on A7 or A7R Quentin? It is a bit dodgy on the R, seems to misfocus quite often though Jono is sure that it is shutter shake. Well sharp on centre when you get it right, has edge softness that changes sides with focal length and aperture and subject distance but you can't always 'stop' yourself out of trouble. Not terrible, sometimes, quite good.
The toe-clips are a little strange and I do prefer to have at least one brake when I ride on the road.....
There was something pure and attractive about the way this bicycle looked. Very appealing to my eye.
Thanks for looking. Comments always appreciated.
Oh yes ... riding a fixie I suppose the owner feels he's in control, but it would scare the bejesus out of me not to have a brake too. ;-)The toe-clips are a little strange and I do prefer to have at least one brake when I ride on the road.....
You are correct that single speeds looks so clean...beauty in track bikes.
Don't tell me I'm the only one who remembers coaster brakes!? Just pedal backwards; it'll stop - unless the chain derailsThe toe-clips are a little strange and I do prefer to have at least one brake when I ride on the road.....
Thanks Bill,Here's flat field shot, David. Not a real close close up. a7r with Sony LE4A adapter and Sigma 70 mm macro at f5.6.
I took a whole series from f2.8 to f11 and really cannot tell one from another except for DOF of the background. I can report there is virtually no vignetting after full aperture and no smearing in the corners. This is no surprise as the rear element of the Sigma is well forward of the mount and about 3 inches from the sensor.
The bottom corners at 100% are just as sharp as the centre with very crisp rendering of the texture of the stone.