Hello,
I´m new in the forum.
Actually I´m working with a Leaf Aptus 75s-Back attached to
* RZ67 (which I still like)
* Mamiya 645AFDII (which I dislike for touch/feel/hear)
* Alpa Max (love)
I know about the DF (I tried it) and the comparision to the H-Bodies.
Now I´m thinking about cross-trading to H3/4D50.
The images-quality attached to the H-Body will be outstanding (will meen - better then my clients realize ;-), the same with the DF and an A10.
But what is important for me is how the H3/4D50-performance is attached to a Tech-Camera.
Some people say, the Kodak-Sensor is more sensible to colour-cast then the dalsa is.
I will check it out for myself as soon as I will find some spare time and an H-Adapter to try it with my ALPA ( I want to test it with my lenses) and I will keep you informed.
But it would be great to get feedback of some peers already working with that combination.
Main issues:
* wake up ... necessary or not?
* colour cast ... is a gain file already necessary with an unshifted camera?
* other pro´s / con´s?
Last week I did a shooting with a rented Aptus 10 attached to the Alpa and it was almost always necessary to shoot Gain-Files ... it seems more sensitive then the A75s.
Thank you for your comments
Klaus
I´m new in the forum.
Actually I´m working with a Leaf Aptus 75s-Back attached to
* RZ67 (which I still like)
* Mamiya 645AFDII (which I dislike for touch/feel/hear)
* Alpa Max (love)
I know about the DF (I tried it) and the comparision to the H-Bodies.
Now I´m thinking about cross-trading to H3/4D50.
The images-quality attached to the H-Body will be outstanding (will meen - better then my clients realize ;-), the same with the DF and an A10.
But what is important for me is how the H3/4D50-performance is attached to a Tech-Camera.
Some people say, the Kodak-Sensor is more sensible to colour-cast then the dalsa is.
I will check it out for myself as soon as I will find some spare time and an H-Adapter to try it with my ALPA ( I want to test it with my lenses) and I will keep you informed.
But it would be great to get feedback of some peers already working with that combination.
Main issues:
* wake up ... necessary or not?
* colour cast ... is a gain file already necessary with an unshifted camera?
* other pro´s / con´s?
Last week I did a shooting with a rented Aptus 10 attached to the Alpa and it was almost always necessary to shoot Gain-Files ... it seems more sensitive then the A75s.
Thank you for your comments
Klaus