Guy Mancuso
Administrator, Instructor
Noticed this has not been posted. Thanks Charlie for mentioning it.
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Hassy H4D/60 Data Sheet
- Thread starter Guy Mancuso
- Start date
Paul Claesson Hasselblad
Member
Guy Mancuso
Administrator, Instructor
Paul anytime . Just send me this stuff if you want and I will post it up. I can be reached at [email protected]
All this type of info is good to know.
All this type of info is good to know.
Christopher
Active member
As asked before on LL, any news on longest exposure time @ Paul
David Grover / Phase One
New member
Hi Christopher.
Well that depends a little! As you have seen from PO the Dalsa sensors behave differently to Kodak regarding long exposures. So we will wait a short while longer to see what can be achieved.
David
Well that depends a little! As you have seen from PO the Dalsa sensors behave differently to Kodak regarding long exposures. So we will wait a short while longer to see what can be achieved.
David
Christopher
Active member
Well yes I know that from my P65, just wanted to know if perhaps Hassi found a new way to extend the expsoure to let's say 5 or 15 minutes. If I read your replay correct it is more like the P65 which is around 30-60 seconds depending ISO and shooting conditions, am i right ?
G
gdwhalen
Guest
Why do so many people need/want 5 minute exposures?
Most do not.
Here is a longer exposure: H3D II 39 ISO 50 15 seconds HC 80 at F5.6...taken at 0400am. Internal clock was off in the EXIF data. 5 minutes would not have captured what was evident at the time.
I imagine for ethereal water or sky longer exposures may work.
Bob
Last edited:
Chris Barrett
Member
I was a little concerned about the P65+'s lack of long exposure capabilities, but still bought it over the P45+. Honestly, for interiors (the bulk of my work) at ISO 50, I'm rarely longer than 4 seconds.
Christopher
Active member
I don't want a 5 minute exposure, but if the back can do that long i am at least getting very good 30 second exposures.
Nice work Chris. Lots of folks don't really know how much work goes into shots like this. :thumbup:
Chris Barrett
Member
Thanks, guys. I think I did manage that one in under three hours ; ) I started by turning off all the ambient lighting in the foreground, setting up maybe 15 hotlights... 3 of those and a silk hidden behind the column in the middle of the shot. I love the challenges of lighting maybe more than any other aspect of my work...