MGrayson
Subscriber and Workshop Member
Well, it's too late to stop now. Edges at infinity. Left to right, Leica 100/2, Hasselblad HC 100/2.2, Hasselblad Zeiss 110/2
Wide open - The Leica is pretty clean. The HC100 is a bit soft, reflecting its deliberately curved field, better for portraits. The Zeiss is, again, dreamy, and fringed - between S100 and HC100 in edge sharpness.
f/2.8 - HC100 sharpening, Z110 getting less fringe.
f/4 - fringing pretty much gone. A bit of softness in the HC100
f/5.6 - All sharp and ready for landscape/architecture.
Note: If you look back at the center crops, you can see that the HC100/2.2 was quite sharp there. This is not just a misfocused image.
Next up, the Tree or "Subjects that can hold a pose"
Matt.
Wide open - The Leica is pretty clean. The HC100 is a bit soft, reflecting its deliberately curved field, better for portraits. The Zeiss is, again, dreamy, and fringed - between S100 and HC100 in edge sharpness.
f/2.8 - HC100 sharpening, Z110 getting less fringe.
f/4 - fringing pretty much gone. A bit of softness in the HC100
f/5.6 - All sharp and ready for landscape/architecture.
Note: If you look back at the center crops, you can see that the HC100/2.2 was quite sharp there. This is not just a misfocused image.
Next up, the Tree or "Subjects that can hold a pose"
Matt.