Frankly
New member
Thank you everyone, this has been more informative than 100's of pages of manufacturer's literature and PR.My intuition (often wrong, also falling within the area of a little knowledge being dangerous) tells me that you'll do better with 100 Mp on the larger sensor than on the crop sensor, at least when printing large, since the overall magnification will be less.
Thanks as well to Erik for his informative post re: MTF curves and overall system resolution. The comparison of the same lens on the 12 Mp D700 vs 36 Mp D800 is particularly interesting to me, given my own personal conundrum: I love the smooth tonality of the images from my old D700 (since sold, regretfully) but find the D800E to give a more clinical or "digital" rendering, which I never warmed up to (it's not all about resolution!). Thus started my journey down the MFDB rabbit hole...
John
Yes, my unscientific pauper's comparison is that sometimes the old Nikon D200 CCD files looked wonderful when the lighting suited them... and the D700 was "smooth" even though by all counts the D800 surpassed it. Still in real life my D810s have always answered the call and gotten the shot in difficult lighting.
I'm starting to think that perhaps I should invest in a trip to Atlanta to play at Capture Integration or find someone with an older MFDB to rent? Are their any options? I am near Rochester (Kodak). Is there a good place near Toronto?
I have to admit a large part of this is psychological and has to do with how we picture ourselves as photographers. Truth is that we should be able to make meaningful photos with rudimentary equipment but still a part of me wants the status ($$$, success, one-upmanship) and labor-technical investment (if I work hard I'll get better results). And those Phase videos of the rugged landscape photographer trudging through Iceland with his F-Stop backpack, pausing to set up a shot and wi-fi'ing the image to his phone, etc. all very effective marketing to my demographic. I gave up my 8x10 several years ago but always felt guilty about it.
It's fun to bring everyone down on print size because we used to do outdoor billboards 14' x 44' is the standard expressway size... and I used 2mp cameras at the turn of the century, they were printed at 11dpi. "11" is not a mistake.