Umm....? You agreed with me that the SL and the X1D compete on size and weight, but cannot compete on versatility, speed, and responsiveness. And that the X1D and M compete on applicability due to field of view options. But then you say you can't go with the SL for "what it is" compared to the X1D and GFX due to its price and the size of its lenses. HUH?
There's a huge market for 35mm format where speed, responsiveness, and versatility is paramount. That's why 35mm based DSLRs are still the #1 selling professional cameras in the world. The SL competes directly in that market space with a new technology, the all-electronic camera without a floppy mirror. The M does not compete in that space at all. Price is mostly irrelevant: A top line Nikon or Canon body that has the kind of performance the SL body does isn't substantively less expensive, and lenses of similar kind for those cameras aren't substantively smaller or lighter either. NO medium format digital can hope to compete in that space, at all. They just don't have what it takes to do so, which is speed and versatility.
I think too many people are hung up on price whenever the word Leica is mentioned because of the lens prices. Leica lenses are expensive, much more expensive than similar focal length and speed offerings from other manufacturers. A 50mm f/2 lens shouldn't cost $2500, or so the thinking goes, because top-line Nikon or Canon 50mm lenses cost $500. Does the Leica build quality and performance warrant it? I don't know, but I know that nearly everyone who looks at what comes out of a Leica, despite often less than 'state of the art specifications, is impressed by the quality. That's the lenses talking. And yeah, they're too damn expensive.
But so what? I pay the price and let them make me extraordinarily happy when I see my photos. :toocool:
Hasselblads and their lenses also cost a bunch; everyone knows that and assumes it. The X1D is a welcome change from that and a fairly unprecedented one. The Fuji GFX is riding in on the train behind it ... I wonder if the pricing on the GFX would have been where it is if Hasselblad hadn't priced the X1D at this point.
Different cameras, different purposes, different strengths and weaknesses. I am delighted with the SL and don't feel I've overpaid for it, given what I get out of it. Same for the M-D. Perhaps I'll be able to say the same of the X1D some day too.
G