J
Justalex
Guest
I shoot professionally and have used the TSE lenses on a 5dMkII
I love the feel and quality of a tech camera but the speed of a 35mm. MF SHOULD be the perfect balance but there is no lens as wide as the TSE 17 that can be shifted. I owned a GX680 when I was still shooting film; the 50mm lens was beautiful but the 65mm had way too much distortion.
I tried the TSE 45mm 2 days ago and it has unsatisfactory CA. Maybe Canon are working on a MkII.
My clients don't notice the difference between 35mm and MF but I do and despite the fact that my clients won't pay me any more if I shoot on a tech camera, if there was a satisfactory solution I would buy it.
Ideally the Blad would have shift lenses that are as wide as the TSEs.
I've shot the same scene on a Cambo with a P45+ and Canon TSE 17mm. The file from the P45+ was unusable as Capture one could could not completely remove the colour cast. The Canon wasn't as sharp as I would have liked but it was the one I ultimately handed to the client.
I've heard that in order to create a proper LCC your LCC file can't include the black outside the image circle.
I'm looking around for an adapter plate so I can try my H3DII 22mp back on the Cambo. I'm curious to know a little more about your experiences Dan.
I love the feel and quality of a tech camera but the speed of a 35mm. MF SHOULD be the perfect balance but there is no lens as wide as the TSE 17 that can be shifted. I owned a GX680 when I was still shooting film; the 50mm lens was beautiful but the 65mm had way too much distortion.
I tried the TSE 45mm 2 days ago and it has unsatisfactory CA. Maybe Canon are working on a MkII.
My clients don't notice the difference between 35mm and MF but I do and despite the fact that my clients won't pay me any more if I shoot on a tech camera, if there was a satisfactory solution I would buy it.
Ideally the Blad would have shift lenses that are as wide as the TSEs.
I've shot the same scene on a Cambo with a P45+ and Canon TSE 17mm. The file from the P45+ was unusable as Capture one could could not completely remove the colour cast. The Canon wasn't as sharp as I would have liked but it was the one I ultimately handed to the client.
I've heard that in order to create a proper LCC your LCC file can't include the black outside the image circle.
I'm looking around for an adapter plate so I can try my H3DII 22mp back on the Cambo. I'm curious to know a little more about your experiences Dan.