I think, re tech cam teles the following; I do have the 138, 210T and 210 SD (SD = Sinaron Digital):
Ranking for ranges on pancake systems:
+ 138 HR covers everything up to 180mm, including 180T / 180 SD -> problem: no one has a 138; its too expensive, but if you do you can directly go to 210 or SA 350
+ 150 Sinaron W, Sironar Digital or Apo Digitar all similar, but you can skip them if you go 180 or 210 or even have the 138
+ 210 you have a tie between 210T / 210 SD, mounted with back extenders, etc.
Beyond 210:
+ Beyond that, there's no alternative IMHO if you want utmost tele quality to go for a Zeiss SA, ideally the 350, but that's then a V adapter scenario
+ Even longer, you can still take Sironar-S LF glass, or the Fujinon-Cs 450/600, although atmoshperhic haze, stability etc. become an issue
+ Ultra long would be Apo Tele Xenar SK late-gen stuff 600/800, but that requires super sturdy setup.
All the long analog LF lenses are ok on digital if they're late-gen Sironar-S, Apo Symmar-L, but of course can't touch the acuity of the SA 350.
So in a way, ultra high quality teles stop with the SA350 and on pancake cams at 210mm due to extension limits.
The SK 240 BR is an inferior lens compared to the tech cam glass above; its better for portraits, which is where the LS also comes in handy.
Any other analog tele will not be as sharp as the Zeiss SA.
You can mount a Zeiss SA via V adapter on the FPS and stitch within that with an STC.
Its on my long list, but mounting the legendary 350SA on the FPS with the STC at the back in the field must be awesome, and if you have one of those de-commissioned old Arca ball heads you can really do landscape pano, nature, wildlife photography.
One could even with the FPS use film via the Linhof film back.
The 210T is a nice last lens for the Alpa system - the Apo Tele Xenar 250 is apparently not that sharp, so that's a good final tele on a pancake tech cam system.