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Thanks, Eoin. It's not a secretMark, if it's not a secret, would you care to share your processing of these B&W. I love the toned effect you are getting. TIA.
Hi EoinThanks for that Mark, I'll dust off LR and have a go.:thumbup:
:ROTFL: ......well, I wasn't contemplating a total switch. Just a play in LR . I'd rather wait for Aperture X before considering any move.Hi Eoin
. . . . and then, I guess, you'll head straight back to Aperture (like I've just done!)
moi? throw stones? :bugeyes::ROTFL: ......well, I wasn't contemplating a total switch. Just a play in LR . I'd rather wait for Aperture X before considering any move.
Those in glass houses shouldn't throw stones. :ROTFL:
I'd have to agree with you on this. MFD will no doubt provide better IQ ... but in my honest opinion unless you have piles of spare cash or do paying commercial photography (especially studio type work with strobes), or want to use tech cameras, MFD is an expensive, less versatile proposition.Thanks, Bill.
Incidentally I was intrigued by your comments on the P45 Canadian Shield shot compared with your excellent Sony version. I keep mulling medium format digital over. I have a ZD camera and at pixel level its sharper than the A900 but the A900 is more versatile, and of course the ZD "only" has 22mp, wheras a P45 has 39. Then I look at some 24x36 prints I have had framed from the A900 and think they look great with plenty of detail - why would I need more?
Then there is the cost, of course.
I always end up concluding that a re-entry in to a higher end MF system would be an expensive mistake. I'm pretty handy at post processing. I guess its a debate with no firm conclusion.
So the A900 still gets my vote at the moment.
Quentin