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Actually it is OK with infinity - on one or two lenses it only just makes it, but despite feeling slightly insecure, I can't make it fail.Hopefully, without that "world's first adapter" .
Tim, If it won't let lenses reach infinity and vignettes, is it worth the bother?
I think so. So far it doesn't bother me but I've said from the start that it has less clean shadows. I wasn't sure, really, if that was because the camera tends to underexpose quite a lot but in any event I think there is still a less natural look to shadows and to some subtle tonal gradations, especially in OOF areas, but that is mostly at the pixel level and it very rarely bothers me. The files in some ways look very natural and in some ways look, sometimes, a little more processed than D800E files but I see it as no biggie.Tim, thanks again.
What is your opinion of the Sony RAW compression used in these cameras? Are we losing something here?
I'm also using the FD 24/2 and like the results. No corner smearing issues. Only niggle is a bit of play in the focus ring of my copy, but I think this common to many of the old FD lenses.Some with the Canon FD 24/2
It was a wonderful day today.
These are small towns in France where streets can be quiet empty although it is rather hard to find them.what is up with those squeaky clean streets?. feels like a bergman movie set.
of course i am a new yawker, where people think the street is their garbage can
I am using the FDn type, that is the newest one. You can go to this site to study the lenses.Michiel, what kind of adaptor (would my Metabones Smart III work) do you use with the Canon FD 20/2.8 and which version of the lens do you use? I looked in the Bay and there is a SSC FD 20 and others without SSC. How about the corner sharpness?