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Nissen, I think you mean. Nissan houses are for the truly homeless!Note the Nissan houses at the left. They are protected now.
Nissen it is. Nissan is my Xtrail car. Slip of the mind, or confusion; it's an age thing. Now, where is my Lucia M9?Nissen, I think you mean. Nissan houses are for the truly homeless!
Chris
Hmm yes. The 24'lux is an interesting conundrum. I'm considering letting mine go to help fund another body. It's big and I don't usually carry it for that reason.LOL. I like the way you think, Jono! Gotta find funds, and not sure yet that I'd want to give up my 24 lux...which would work out financially...hmmmm....
Now let's see-that's an even USD1.00 for Guy. He's only got 27,796 Smilies, etc. to be posted for him to secure M funds. Better hurry and pay before the Pound sinks any further!Sorry Ashwin - resistence is useless - you will be a victim oke::bugeyes::lecture::toocool:
David, Hehehe :ROTFL: Yes! indeed, this is why SF is my favorite city in the whole US. and as for the camera yes i got my self a multi colored M9 which should inspire Leica to create some sort of a special edition of it .. oh man i spent over an hour cleaning the lens and the body, and it's shiny and glowing ready to go again :salute:Hey Mohammad, SF seems to have some crazy events and you're always there to capture them! I hope you didn't go home with a multi-colored camera
I hope that is not the case. This would rule out the M for me as I have only non coded ZM lenses.One interesting thing I noticed that I haven't seen mentioned elsewhere is that you cannot engage live view or movie mode with a non-coded lens mounted.
Thanks, Daniel.Interesting, I created a colour profile for the M240 with the 50APO today and when I switch to it in Lightroom the difference is practically imperceptible. They must have calibrated colour in the camera very well. Conversely when I enable my M9 profile I see an immediate shift.
I don't know if Jono mentioned (since I recall he also owned this lens) but colour shift and falloff with the 12mm Voigtlander is different (see images below, M first then M9)
Will be interesting to see how future ultra-wide Leica lenses are designed.
Sharpness differences in the corners between the M9 and M240 is barely perceptible but I have to rule in favour of the M240 by a hair.
Noise in the corners at base ISO is also in favour of the M240 - falloff correction does add a bit with either camera, the nature of the beast.
One interesting thing I noticed that I haven't seen mentioned elsewhere is that you cannot engage live view or movie mode with a non-coded lens mounted.
It'll be a while until I can spend some serious time shooting with the camera, but when I can I promise to contribute more artistically to the thread