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Sandy spoke with him for several minutes while we were waiting Saturday; she told me he had said to her that he like to shoot really wide and uses a 12.Well in Clyde's terminology, that would be a super telephoto LOLOL! Seriously, he told me his "normal" lens was a 90 on his 8x10 camera! (90 on 8x10 is roughly 45 on 4x5, which in turn would be about a 20 on full frame MF digital, or about a 12 in 35DSLR terms.)
Pramote's fabulous shot in Mexico prompted me to rexamine some shots taken last summer. I had posted one from this series on the 645D thread, but wasn't really happy with it. Here are two different versions of the same scene taken seconds apart. Many elements of a good landscape are present: color, setting sun, cresent moon, blurred water...yet, it's not obvious to me which version is the better, so any input from the collective wisdom of this group would be appreciated.
Tom
horizonal by tsjanik47, on Flickr
crop_IGP9994_2171 copy (1) by tsjanik47, on Flickr
Once again amazing stuff !!! When I have more time I really have to look for a printHere are a few of mine from Clyde Butcher's gallery.
Nicely done Ed. These are lovely.Here are a few of mine from Clyde Butcher's gallery.
Great! Very much looking forward to that. :salute:Thanks very much Lloyd!
I'll see you more once I've got D800e.
Pramote
¿Does anyone use LED lighting for studio macro?What can ya do when you're 1,00 miles from home and not feeling as good as you should? Do a micro test of the 120mm manual focus lens. Of course being in a hotel room doesn't offer the best solution for shooting micro. Armed with a tripod, remote shutter the DF and the 120 I managed to shoot this. (I forgot to mention the cut down plastic water bottle and LED flashlight.)
Sensor Plus, f/11 1/60 and ISO800.
Don
I hope not! Nice macros.Okay last one..
Don
¿Does anyone use LED lighting for studio macro?
A nice fan-cooled pro studio flash pack is £6,000, and you cannot get fiber-optic adapters any more, so why not LED?