Lars
Active member
Two reasons for this post:
Would like some purely subjective/artistic evaluation, and
Interpretation was made with Joey (my own software), would like some feedback on the technical aspects of the b/w conversion.
Original: Grandagon 90/6.8 (borrowed from Geary Lyons I think) on 4x5 VS. Ghost town just outside Zion N.P., Per Volquartz' Zion workshop, October 2004. Ebony 45S.
Something went wrong in the E-6 development, the blackpoint especially for the red layer is very high. The b/w conversion was adjusted to amplify tonal separation based on color in the original, thus a blue-green filter was used. Final interpretation involved a dramatic hardness boost (that's "contrast" to you purely digital folks ) and some slight sharpening, to give the final image some texture and grit.
Lars
Would like some purely subjective/artistic evaluation, and
Interpretation was made with Joey (my own software), would like some feedback on the technical aspects of the b/w conversion.
Original: Grandagon 90/6.8 (borrowed from Geary Lyons I think) on 4x5 VS. Ghost town just outside Zion N.P., Per Volquartz' Zion workshop, October 2004. Ebony 45S.
Something went wrong in the E-6 development, the blackpoint especially for the red layer is very high. The b/w conversion was adjusted to amplify tonal separation based on color in the original, thus a blue-green filter was used. Final interpretation involved a dramatic hardness boost (that's "contrast" to you purely digital folks ) and some slight sharpening, to give the final image some texture and grit.
Lars
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