Wow- this is news. I have been carrying around the big and heavy 150mm lens all this time because I thought it was the best lens. And it is very good, but big. I am currently packing for a hiking trip, and my pack is topping out at over 50 lbs, which is at the very limit of what I can carry. If I could switch to the lighter 150mm, for a saving of 2 lbs; that is great.
Can any of the lens experts verify that the two 150mm lenses are of equal optical quality?
Thanks!
John
I wouldn’t consider these datasheets as proofs that the optics for the 150/2.8 lenses are exactly the same. Should it turn out that a good copy of the 150/2.8 D performs just as great as the 150/2.8 BR on a 151MP back then it would indeed be a low-weight option at a much more attractive price point.
However, in this
thread from 2016 when the 150/2.8 BR was released Christopher tested all three 150mm lenses and concluded that the 150/2.8 BR was much better than the other two. Unfortunately, the test images are no longer online.
If anybody else has made a comparison of the two lenses I would also be interested in your findings.
DT’s article on Lenses for 150MP says:
”Finally, the Schneider 80mm LS, Schneider 55mm LS, Schneider 75-150 LS, and Schneider 150mm LS f/2.8 all borrow heavily from non leaf-shutter predecessors. It’s our feeling that they are sufficiently improved from previous iterations that they deserve to be considered “optical improvements” but there is some subjectivity in that decision.”
On this
webinar Drew Altdoerffer and Niels Knudsen discuss what it takes to be a Blue Ring lens. It seems there are three approaches for Blue Ring lenses regarding their optical design:
1. Completely new lens design. As far as I can tell the 35 BR (2015) and 45 BR (2016) are the only lenses from the Blue Ring era to be new designs.
2. Overhaul of an existing design to make it work with a leaf shutter and tweaking the design for improved performance. I think the 120 BR and 150/2.8 BR fall into this category.
3. Rehousing an existing LS lens design into a BR lens body with the updated electronics and tightening the production tolerances to Blue Rings specifications.
I would assume Phase One took the same approach when they introduced the Silver Ring LS lenses. I looked through a couple of Mamiya brochures (see
https://en.wikipedia.org/wiki/Mamiya_645#References for the links) to find out more about the origins of Phase One’s lens line-up. Here is a list of lenses where the lens schematics match with the current corresponding LS lenses (listed with the number of lens elements and groups in brackets):
• Mamiya 80/2.8N (6/6) and Mamiya 150/3.5N (5/5) first appeared in the brochure that introduced the Mamiya 645 Super which was launched in 1985.
• Mamiya Macro A 120/4 MF (9/8) first appeared when the Mamiya 645E was introduced in 2000.
• Mamiya AF 55/2.8 (7/6) first appeared when the Mamiya 645 AFD was introduced in 2001.
• The Mamiya Sekor AF 28/4.5 D Aspherical (14/10), Mamiya Sekor AF 150/2.8 IF D (8/7) and Mamiya Sekor Zoom AF 75-150/4.5 D (11/10) first appeared when the Mamiya 645 AFDIII was introduced in 2008.
As I couldn’t find any more detailed information on when those lenses were released the information when they appeared in the brochures are just indications of the minimum age of their basic lens design.
As far as I can tell there hasn’t been a matching iteration of the 110/2.8 LS from Mamiya. So I would assume it was a completely new lens design when Phase One launched the first three LS lenses for their DF camera system and introduced the partnership with Schneider-Kreuznach in 2009.
The completely new designs that followed were the 240 LS (2012) and the 40-80 LS (2014) while the other Silver Ring LS lenses were probably overhauls of existing previous designs.
-Dominique