Great to see you here. Join our insightful photographic forum today and start tapping into a huge wealth of photographic knowledge. Completing our simple registration process will allow you to gain access to exclusive content, add your own topics and posts, share your work and connect with other members through your own private inbox! And don’t forget to say hi!
Thank you, Todd. There is something about the geography and environment west of the Mississippi that I love.@dchew youre giving me serious west coast envy. I haven’t had the opportunity to go west of the Mississippi in years. Great shots!
Same here. Constantly leaves me wondering why we live on the east coast. If not for extended family in our immediate vicinity, we'd probably make the move to Colorado or Oregon.Thank you, Todd. There is something about the geography and environment west of the Mississippi that I love.
Nice shot.Lace lichen or beard lichen, not sure which, hanging from an oak tree in California's Santa Ynez valley. This is the first time I've tried The Orton Effect. Decided to give it a go since the subject matter seems like a good fit.
WRS 1600 + Hasselblad CFV II 50C + APO Digitar 150N f11
View attachment 191838
Thanks! Lol!Hey you're in my backyard. What's up with that ? I thought you were a Colorado guy ?
Interesting thought! I'll need to pull out my collection of Softar filters and give this a try...I have always wondered if Michael Orton was trying to achieve the look of a Zeiss Softar 1. It was after all the 80's when he became known for this 'look' and the Softar 1 was pretty standard kit for Hasselblad shooters back then. I still have mine.
Very interesting subject, I think either works. I also like the idea of really cropping in, although I don't know if the environmental surroundings are an important part of telling the story. I hope you don't mind, I cropped and tweaked to give you an idea of what I was talking about. Thanks for sharing!In terms of composition this was a rather difficult shot. I did two shots: a wider one with more background to "breathe" and a close up. To me the wider one "feels" better. I am curious to know what you think...
View attachment 191959
Cambo 1600 | Leaf Credo 50 | SK 35 | f11 | 0.5 s
View attachment 191960
Cambo 1600 | Leaf Credo 50 | SK 35 | f11 | 0.5 s
Have to answer to this imageIn terms of composition this was a rather difficult shot. I did two shots: a wider one with more background to "breathe" and a close up. To me the wider one "feels" better. I am curious to know what you think...
View attachment 191959
Cambo 1600 | Leaf Credo 50 | SK 35 | f11 | 0.5 s
View attachment 191960
Cambo 1600 | Leaf Credo 50 | SK 35 | f11 | 0.5 s
Check out Guido Guidi's work. He is a master of compositions like the first photo you posted.In terms of composition this was a rather difficult shot. I did two shots: a wider one with more background to "breathe" and a close up. To me the wider one "feels" better. I am curious to know what you think...
View attachment 191959
Cambo 1600 | Leaf Credo 50 | SK 35 | f11 | 0.5 s
View attachment 191960
Cambo 1600 | Leaf Credo 50 | SK 35 | f11 | 0.5 s