Cambo can mount a 150mm lens or others you provide onto the WRS mount. Cambo calls that service a retrofit.
On Cambo's website the SK 150mm is listed under the discontinued Schneider lenses here:
Legacy Schneider Copal Lens Panels - Cambo
Note that additional focal lengths to those shown on that page, such as the Apo-Digitar 5.6/100mm that I supplied, can also be mounted onto the WRS.
Note also that the SK 100mm, 120mm, 150mm and 180mm lenses can all be mounted using a single 48mm rear spacer. Cambo will discount the mounting fee accordingly, as it did for me when I had a second long lens mounted.
Having the spacer as a separate item ensures maximum use of the image circles and also makes the lenses themselves smaller to carry in a backpack. To save space further, the single 48mm rear spacer can be carried in an outside pocket, leaving more room inside.
I want to correct a previous statement in which I said the 150mm and 180mm lenses require two 48mm spacers, either on the front or rear. As you can see from the pictures on that Cambo page linked above, Cambo mounts them using just one 48mm rear spacer plus different lengths of a cylindrical barrel section on the WRS mount base portion. (When I made that statement, I was fresh from calculating that I can adapt an Apo-Symmar 5.6/150mm and normal SK helical focuser I already own from an 1990s Cambo Wide 150 using some spare mount parts plus my existing 48mm rear spacer and 48mm front spacer.)
Yes, having Cambo mount each lens onto the WRS mount is more costly than you sourcing flat lens boards for a bellows camera and doing the job yourself. However, for me there is no question which camera I'd prefer to use for years and years in the sort of situations in which I photograph architecture. Obviously, the questions to consider include: How many and which lenses can I purchase already mounted on the used market or from dealer shelves? And how many focal lengths do I really need?
I suspect that in many instances it is the
thought of the higher cost of mounting a lens that drives a newcomer to a bellows type camera, yet they often end up using only three lenses on it anyway and, in return, must forevermore forego the many advantages of the WRS pancake style. It seems a false economy.