I am not severely limited on extension, as I have two P3 to P2 conversion bellows, and I can use a P and a P2 as 2 or three 600mm extensions - great for macro!It can take a 150mm but I do love long lenses for landscapes.
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I am not severely limited on extension, as I have two P3 to P2 conversion bellows, and I can use a P and a P2 as 2 or three 600mm extensions - great for macro!It can take a 150mm but I do love long lenses for landscapes.
On the Cambo the tilt is on the lens actually it has both Tilt and Swing. The 3 shot stitch only had a .5mm of tilt on it for the foreground. The 28mm has no TS on it.Guy, great Death Valley work. Did you use front or rear tilt?
Graham, I marginally prefer the B&W version, but either would look great hanging on my wall.
Wayne, love the shot with the rainbow.
Tim, thanks, and more great work
A real pleasure to see such creative talent on this group.
Thanks very much Thierry for your kind words.some fantastic images since last time.
Special :thumbup: to "Pramote", "Paul", "Tim" & "Graham" (superb B&W and Colour image)
Thierry
Magnificent Guy!Here is a start of my stuff from Death Valley. Cambo AE model, IQ 160 and my new boy toy a SK 120
Breathtaking B&W! Fantastic mood and atmosphere.A little something from my road trip back from Death Valley last night. I'm going to be sending a strongly worded letter to California DOT about their road maintenance!
P25+ DF 55LS
good thought, unfortunately one foot to my left was a 10 foot drop off straight into that surf you are seeing. I was definitely trying to get the rainbow as close to the rocks as I could.Wayne
If you had been able to shift your position, maybe then the rainbow could have been to the left of the rocks and arched over the main point of interest.
My comments for what the are worth -
Mal
...bit like the classic painter's exercise of a white egg on a white sheet of paper!IQ180 with SK 110 LS on 645DF. Plenty of sauce to the PP but only to make very subtle changes. Two lights, one barn door on the background with a cutter and one softbox at 8 o'clock. Tethered using an iPad to trigger and review.
As you can see, the nights are long here at the moment!
Indeed! The aim was to try to get the graduation of shade reversed on the balloon compared to the background... It really was only an exercise but I couldn't resist making a 24x36" print on Hanny German Etching and the result is strangely calming!...bit like the classic painter's exercise of a white egg on a white sheet of paper!
TimIQ180 with SK 110 LS on 645DF. Plenty of sauce to the PP but only to make very subtle changes. Two lights, one barn door on the background with a cutter and one softbox at 8 o'clock. Tethered using an iPad to trigger and review.
As you can see, the nights are long here at the moment!
Waynegood thought, unfortunately one foot to my left was a 10 foot drop off straight into that surf you are seeing. I was definitely trying to get the rainbow as close to the rocks as I could.
I've thought about "cheating" and moving the rainbow for a better composition.
35-90 or 35-105? Great shot, Pramote!
Lake Tahoe, CA during the road trip with my family last summer.
Hasselblad H4D-40 with 35-105mm at 45mm
Thanks for viewing.
Pramote