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Simply put, my 45P and 65 2.8 just blew them away for landscapes / architecture in terms of corner sharpness. And we are not talking just the very corners here either but as far out as the outer 1/3rd of the image circle. So after I also tried a friend's lenses and then read what Diglloyd had to say about it after putting up the subscription money, I returned both lenses for a full refund. I tried for over a week and shot close to 100GB of comparison and real life use case photos and just could not get them to hold up.What corner issues? Do you have some photos that you can share that show corner issues. I have all three V lenses and haven't seen corner issues. I'm not looking for a food fight, just enlightenment.
Joe
Ah, the "Diglloyd Effect". Lloyd isn't a fan of the Hasselblad X system in general, and seems to prefer Fuji GFX and Sony a7Rx. I'm fortunate to have and enjoy all three and have had no corner issues with my 55mm and 38mm V lenses. Maybe there is sample variation at work. Sorry to hear that your experience was less than optimal.So after I also tried a friend's lenses and then read what Diglloyd had to say about it after putting up the subscription money, I returned both lenses for a full refund.
Maybe, but I have yet to see a photo from either of them from anyone in what would be a landscape use that had sharp corners. And I don't mean "sharp enough for my use" but as sharp as either the 45P or 65...as in proper sharp.Maybe there is sample variation at work.
My first 28P had soft corners. The second one didn’t. Sample variation, on that lens anyway, confirmed.Ah, the "Diglloyd Effect". Lloyd isn't a fan of the Hasselblad X system in general, and seems to prefer Fuji GFX and Sony a7Rx. I'm fortunate to have and enjoy all three and have had no corner issues with my 55mm and 38mm V lenses. Maybe there is sample variation at work. Sorry to hear that your experience was less than optimal.
Joe
You have/had the XCD21 also, right? How would you compare them personally?My first 28P had soft corners. The second one didn’t. Sample variation, on that lens anyway, confirmed.
The XCD 21 is a miracle, but it's not a tech camera lens. The very outermost corners are a bit smeared. Better than my first 28P, comparable to the second one, and nothing like the XCD 30 (very few lenses that wide or wider are). 99% of my XCD 21 images have corners consisting of sky, water, or extreme foreground. Only a few brick walls (they were covered with vines!)You have/had the XCD21 also, right? How would you compare them personally?
Hmmm. No issues with my copy of the XCD21 in the corners as far as I can see, but most of my images made with this lens similarly have either sky or foreground dominating these areas of the image so (this is my main use case for ultrawide angle lenses - generating perspective) so no brick walls in my collection, either. Is it as clean as my Rodie 40HR shifted on the IQ4 150? Probably not, but then again I take the Hasselblad to locations where I either can't or won't take the bigger kit.The XCD 21 is a miracle, but it's not a tech camera lens. The very outermost corners are a bit smeared. Better than my first 28P, comparable to the second one, and nothing like the XCD 30 (very few lenses that wide or wider are). 99% of my XCD 21 images have corners consisting of sky, water, or extreme foreground. Only a few brick walls (they were covered with vines!)
To be clear, I’ve never seen corner softness in any print made with the XCD 21 up to 43” wide. What I observed was in a “tilt the camera so the horizon runs diagonally corner to corner” test shots.Hmmm. No issues with my copy of the XCD21 in the corners as far as I can see, but most of my images made with this lens similarly have either sky or foreground dominating these areas of the image so (this is my main use case for ultrawide angle lenses - generating perspective) so no brick walls in my collection, either. Is it as clean as my Rodie 40HR shifted on the IQ4 150? Probably not, but then again I take the Hasselblad to locations where I either can't or won't take the bigger kit.
Back to the original topic at hand: it will be interesting to hear more about the 90V as it gets into more people's hands. As the owner of the superb 3.2/90, the faster autofocus speed of the 90V, while welcome, doesn't provide any real advantage to me as I mostly shoot static landscapes and cityscapes. Nor do the marginal reductions in size and weight compared to the 3.2/90, so I'll pass for now and save my pennies for later. If I'm ever blessed with grandkids, I might reconsider.
Hasselblad is imposing a tyranny of choices of sorts in various focal length ranges: 28-30mm, 38-45mm, 45-55-65mm, 80-90mm. It seems that each lens has its own set of positive attributes and compromises from which one can hopefully decide wisely if armed with the necessary information (starting with MTF charts, for example). This is a good thing, right?
John
Agree 100% !!Back to the original topic at hand: it will be interesting to hear more about the 90V as it gets into more people's hands. As the owner of the superb 3.2/90, the faster autofocus speed of the 90V, while welcome, doesn't provide any real advantage to me as I mostly shoot static landscapes and cityscapes. Nor do the marginal reductions in size and weight compared to the 3.2/90, so I'll pass for now and save my pennies for later.
John
This is a good thing, so long as Hasselblad continues to offer the option of bigger/slower/heavier lenses that are optimized for exceptional corner to corner sharpness. The discontinuation of the XCD 21mm lens is a troubling sign.Hasselblad is imposing a tyranny of choices of sorts in various focal length ranges: 28-30mm, 38-45mm, 45-55-65mm, 80-90mm. It seems that each lens has its own set of positive attributes and compromises from which one can hopefully decide wisely if armed with the necessary information (starting with MTF charts, for example). This is a good thing, right?
John
I‘d be interested, too.any experiences in this regards between the 90s (and also compared tomthe 80)?
I’m also very interested about old 90 vs new 90.Would be very interesting to see how the 90/3.2 and 90/2.5v compare optically.
the size weight advantage of 38 and 55 is bigger tha that for 90mm..
by the way I am one of those who also could not see such very bad corners of the new lenses. I prefer the size/speed of the new lenses. Plan to sell 30 and 65. for me the 28 is a more interesting focal length than 30, and alllmost as wide as I need.
I dont know yet if its worth to upgrade from 90/3.2 to 90v..
any experiences in this regards between the 90s (and also compared tomthe 80)?
I think the older lenses look richer tourist than the newer lenses because they are bigger !)
Coma?The 38 was not suitable for night / stars shooting