Doug Peterson in 3...2...1...
:ROTFL:
Did someone put out the Digitization Bat Signal?
Some background-reading about CH Film Digitization is here:
https://dtdch.com/film/
Our Film Scanning Kit is detailed here:
https://dtdch.com/film-scanning-kit/
A (slightly outdated) Webinar is here:
https://dtdch.com/cultural-heritage-webinars/film-scanning/
There are many other (less expensive) ways to do film scanning. But nothing else will match the quality, consistency, speed, flexibility, and material-safety of our system.
We have many institutions using it for their film scanning including:
- Center for Creative Photography
- Library of Congress
- Disney Archive
- New York Public Library
- The Getty
- The Smithsonian
- Design Commission of NY
- The Oscars
- The Gates Foundation
- The Mariners Museum
- National Library of Norway
Plus many universities such as Yale and Ohio University (I take any chance I can to mention my alma mater in the same sentence as Yale).
It's being used to digitize the largest collections of work by Ansel Adams, Edward Weston, Irving Penn, Dorthea Lange, Jack Delano, Walker Evans, Russell Lee, Gordon Parks, Max Yavno, Louise Dahl-Wolfe etc.
We also have a small number of private owners using the system to digitize their own life's work. That's especially viable when they already own a Phase One digital back.
Glad to answer your questions here or via email (
[email protected]).